It is proposed that this article be deleted because of the following concern:
If you can address this concern by improving, copyediting, sourcing, renaming, or merging the page, please edit this page and do so. You may remove this message if you improve the article or otherwise object to deletion for any reason. Although not required, you are encouraged to explain why you object to the deletion, either in your edit summary or on the talk page. If this template is removed, do not replace it. The article may be deleted if this message remains in place for seven days, i.e., after 09:44, 4 January 2026 (UTC). Find sources: "Alison Bauld" – news · newspapers · books · scholar · JSTOR Nominator: Please consider notifying the author/project: {{subst:proposed deletion notify|Alison Bauld|concern=Does not meet Wikipedia's notability requirement}} ~~~~ |
Alison Margaret Bauld | |
|---|---|
| Born | 7 May 1944 |
| Origin | Sydney, Australia |
| Genres | Classical music |
| Occupations | Composer, Author |
Alison Margaret Bauld (born 7 May 1944) is an Australian writer and composer who lives and works in London, England.
Biography
[edit]Bauld was born in Sydney and studied piano with Alexander Sverjensky at the New South Wales Conservatorium of Music.[1] She also studied acting at the National Institute of Dramatic Art and toured as a Shakespearian actress for a year before graduating with a Bachelor of Music degree from the University of Sydney.[2] She continued her education in England through a university scholarship, studying composition with Elisabeth Lutyens and Hans Keller and graduated with a doctorate in composition from the University of York in 1974.[3][4]
After completing her education, Bauld worked as a composer and music teacher. Her works have been performed internationally, and she has received a Gulbenkian Dance Award for composition.[5]
Works
[edit]Selected works include:
- Van Diemen's land, choral fantasy for mezzo-soprano, bass, 2 tenors, baritones, male speaker and a cappella chorus
- Dear Emily, music theatre for actress/soprano and harp or piano. Text by William Blake and Alison Bauld
- Nell, ballad opera
- Farewell Already, adaptation from Richard III
- Banquot's Buried, music theatre
- Where Should Othello Go for tenor/baritone and piano
- Pluto, theatrical chamber work for soprano, female chorus and instruments
- No More of Love, song for soprano and piano
- Play Your Way, three volume piano tutor
- Van Diemen's Land for a cappella choir[5]
Bauld has also published a novel:
- Mozart's Sister (Autumn 2005) Alcina Press
References
[edit]- ^ Sadie, Julie Anne; Samuel, Rhian (1994). The Norton/Grove dictionary of women composers. W. W. Norton & Company. ISBN 9780393034875. Retrieved 23 January 2011.
- ^ Pendle, Karin (1991). Women & music: a history.
- ^ "Alison Bauld (b. 1944)". Archived from the original on 10 July 2011. Retrieved 23 January 2011.
- ^ Lebrecht, Norman (1996). The companion to 20th-century music.
- ^ a b "Alison Bauld:Represented Artist". Retrieved 23 January 2011.
| International | |
|---|---|
| National | |
| Artists | |
| People | |
| Other | |
