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Terry Blade
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Terry Blade | |
|---|---|
Terry Blade during 2022 recording session | |
| Born | Washington, D.C., U.S. |
| Occupations |
|
| Years active | 2020–present |
| Notable work |
|
| Style | archival/documentary audio |
| Movement | blues revival |
| Awards | |
| Musical career | |
| Origin | Schaumburg, Illinois |
| Genres | |
| Instruments |
|
| Website | terryblademusic |
Terry Blade is an American singer-songwriter and music video director based in the Chicago metropolitan area.[1][2] He has released multiple studio albums, including American Descendant of Slavery, the Album (2021),[3] Neo Queer (2022),[4] Ethos: Son of a Sharecropper (2023),[5] and Chicago Kinfolk: The Juke Joint Blues (2025).[6]
His work frequently incorporates archival audio, explores themes of race, sexuality, and inter-generational memory,[5][7] and has been highlighted by reviewers for its minimalist production and baritone vocal delivery.[8][9]
His work has also received recognition, premiering at Tribeca Festival,[10] and winning a Clio Music Award for Use of Music Craft,[11] a Shorty Impact Award for Arts & Culture,[12] and First Place in the Blues category of the 2023 American Songwriter Song Contest.[13][14]
Early life
[edit]Blade was born and raised in Washington, DC.[8] His family heritage is rooted in the American South; his grandparents were from the region, and his grandfather specifically hailed from Colerain, North Carolina.[7][4] His great-grandfather was a sharecropper, and his grandfather was taken out of school at a young age to work.[7]
By age 12, Blade had regularly experienced homophobia.[7] He has stated that growing up Black, gay, and gender non-conforming was "rough" and "one of the most painful experiences" he "didn't think [he] would survive".[7]
Blade relocated to Chicago, Illinois.[8] He later began keeping a private journal, and in 2020, began turning his journal entries into songs.[15]
Career
[edit]Blade debuted his acoustic demo "The Unloveable" on April 3, 2020; the track received a nomination at the 11th Hollywood Music in Media Awards[16] and later appeared as the opening song on his EP Misery, released on May 8, 2020.[17] That same year, he released the a cappella single "The 'Karen' Blues," which was described by musician Adeem the Artist as "witty and biting."[18]
Blade's debut studio album, American Descendant of Slavery, the Album, was released on February 5, 2021.[3] Critics noted that the release combined folk, rock, and soul elements[19] with spoken word excerpts from 1941 of formerly enslaved African Americans.[3][8] Adeem the Artist highlighted the album's track "MTF" for drawing parallels to real-world cases involving violence against black transgender women.[20] The Archives of African American Music and Culture’ included the album among its "February 2021 Black Music Releases of Note".[21] The album later won a Summit Creative Award for audio and a Graphis Award for cover art design.[22][23]
On January 14, 2022, Blade released his second studio album, Neo Queer.[4] Days later, he was featured on Frankie Francis's Amazing Afternoons broadcast on Amazing Radio.[24]
Blade released the blues single "Won’t Be Around" on January 6, 2023.[1] The song received a Hollywood Independent Music Award nomination[25] and entered the New Music Weekly Country Up & Coming chart following national radio airplay.[26] Blade directed and produced the song's music video, which premiered at the Tribeca Festival.[27] It was later selected by the Mill Valley Film Festival.[2] The video received a nomination at the 14th Hollywood Music in Media Awards[28] and was shortlisted at the Cresta Awards.[29] The video won Best Music Video awards at the Bare Bones International Film Festival,[30] Moondance International Film Festival,[31] Prague Independent Film Festival,[32] and the Vienna Independent Film Festival.[33]
Blade's third studio album, Ethos: Son of a Sharecropper, was released on February 3, 2023.[34] The album's cover is a photo by Dorothea Lange from the Library of Congress's Farm Security Administration – Office of War Information Photograph Collection, taken in 1937 of an African-American sharecropper near Clarksdale, Mississippi.[35] Critics noted the work's blending of blues, gospel, and country to explore themes of family history and Southern Black identity.[5] The album received a nomination for Album of the Year: Folk/Americana at the Josie Music Awards, and was included on The Boot's list of "Most Wanted Music: 2023’s Country, Americana, Bluegrass and Folk Album Releases.[34][36] Blade later directed a music video for the album's track "Wasn't Mine", which went on to premiere at the Sidewalk Film Festival in a public screening at the Alabama School of Fine Arts.[37]
On April 10, 2024, American Songwriter Magazine announced Blade as the Blues First place Winner of the 2023 American Songwriter Song Contest for "Won’t Be Around."[13] On June 24, 2024, he appeared on the Glastonbury Festival 2024 Festival Pass broadcast on Amazing Radio.[38] On September 24, 2024, he won two additional Summit Creative Awards for "Won’t Be Around".[22]
On January 3, 2025, Blade released the blues single "Tell ’Em."[39] The track was distributed by Paris-based companies Groover and IDOL,[40] and later added to the digital collection of the Médiathèque départementale de l'Ain in France.[41] In The Big Takeover, reviewer Dave Franklin described "Tell ’Em" as balancing blues tradition with contemporary innovation.[39]
Blade's fourth studio album, Chicago Kinfolk: The Juke Joint Blues, was released on February 28, 2025.[6] The album incorporated archival interviews with Chicago blues figures, including Theresa Needham and Lefty Dizz,[42] and was distributed by Groover and IDOL.[43] French public libraries later added the album to their digital collections, including the Médiathèque départementale de Isère,[43] the Bibliothèque départementale de la Vienne,[44] the Médiathèque départementale du Pas-de-Calais,[45] the Réseau des médiathèques de Toulon[46] and the Médiathèque départementale de l'Ain.[47] While critics highlighted the album for its juke joint atmosphere, musician Ryan Cassata described the project as "a historical preservation effort".[48][49]
On May 21, 2025, Blade was featured on the Download Festival Festival Pass broadcast on Amazing Radio.[50] Two months later, Chicago Kinfolk: The Juke Joint Blues received a nomination for Historical or Vintage Recording at the 2025 Blues Blast Music Awards.[51]The album went on to win a Clio Music Award for Use of Music Craft and Use of Music Innovation,[52] a Shorty Impact Award for Arts & Culture,[12] an Anthem Award for Education, Art & Culture: Special Projects,[53] and a Cresta Award for Innovative Use of Sound/Audio.[54]
On November 21, 2025, Blade was included in Music Connection's "Top 25 New Music Critiques of 2025."[55]
Musical style and influences
[edit]Blade's recordings draw from blues, soul, gospel, country, and folk traditions,[5][6] often arranged with sparse instrumentation and minimal production to emphasize his vocal delivery and narrative focus.[8][17] Critics have described his work as rooted in Black American musical forms while incorporating contemporary singer-songwriter elements,[5][8] and several reviews note his use of documentary-style audio, including archival interviews and spoken-word recordings.[3][56]
Blade's projects frequently reference the historical experiences of Black Americans in both the rural South and urban Chicago, drawing thematic continuity from generational memory and regional identity.[7][5] Reviewers have highlighted his baritone vocal timbre and introspective writing as defining characteristics of his artistic style,[39][57] citing Tracy Chapman, Ben Harper, and Isaac Hayes as influences of his work.[58]
Personal life
[edit]Blade resides in the Chicago metropolitan area.[1] He is queer.[4][59]
Discography
[edit]Studio albums
[edit]| Title | Details | Ref. |
|---|---|---|
| American Descendant of Slavery, the Album |
|
[3] |
| Neo Queer |
|
[4] |
| Ethos: Son of a Sharecropper |
|
[5] |
| Chicago Kinfolk: The Juke Joint Blues |
|
[6] |
Extended plays
[edit]| Title | Details | Ref. |
|---|---|---|
| Misery |
|
[17] |
| The 4 Miseries |
|
[60] |
| Unmastered: The Demo Sessions |
|
[61] |
Singles
[edit]| Title | Year | Album | Ref. |
|---|---|---|---|
| "The Unloveable" | 2020 | Misery | [17] |
| "The Karen Blues" | Non-album single | [18] | |
| "Black Hurts" | 2021 | American Descendant of Slavery, the Album | [3] |
| "For You" | 2022 | Non-album single | [24] |
| "Won't Be Around" | 2023 | Ethos: Son of a Sharecropper | [1] |
| "Tell 'Em" | 2025 | Chicago Kinfolk: The Juke Joint Blues | [39] |
Videography
[edit]Music videos
[edit]| Year | Title | Director | Ref. |
|---|---|---|---|
| 2023 | Won't Be Around | Terry Blade | [10] |
| 2024 | All Ways – An Ode To Black Women | Terry Blade | [62] |
| 2025 | Railroad Tracks | Terry Blade | [63] |
| For You | Terry Blade | [64] |
Awards and nominations
[edit]Music awards
[edit]| Year | Organization | Category | Work | Result | Ref. |
|---|---|---|---|---|---|
| 2020 | Hollywood Music in Media Awards | Best Music: Singer-Songwriter | The Unloveable | Nominated | [16] |
| 2023 | American Songwriter Magazine | Song Contest: Blues | Won't Be Around | Won | [14] |
| Hollywood Music in Media Awards | Best Music Video (Independent) | Won't Be Around | Nominated | [65] | |
| Hollywood Independent Music Awards | Americana/Roots | Won't Be Around | Nominated | [25] | |
| Josie Music Awards | Album of the Year: Folk/Americana | Ethos: Son of a Sharecropper | Nominated | [36] | |
| Unsigned Only Music Awards | Vocal Performance | Won't Be Around | Won | [66] | |
| 2024 | International Acoustic Music Awards | Open | Won't Be Around | Runner-up | [67] |
| 2025 | Blues Blast Music Awards | Historical or Vintage Recording | Chicago Kinfolk: The Juke Joint Blues | Nominated | [68] |
| Josie Music Awards | Social Impact Video of the Year | All Ways – An Ode To Black Women | Nominated | [69] | |
| Unsigned Only Music Awards | Blues | Won't Be Around | Runner-up | [70] | |
| Unsigned Only Music Awards | Male Vocal | Won't Be Around | Runner-up | ||
| Unsigned Only Music Awards | Music Video | Won't Be Around | Runner-up |
Film festival awards
[edit]| Year | Organization | Country | Category | Work | Result | Ref. |
|---|---|---|---|---|---|---|
| 2024 | Bare Bones International Film Festival | Best Music Video USA | Won't Be Around | Won | [30] | |
| Los Angeles Shorts International Film Festival | Music Video | Won't Be Around | Official Selection | [71] | ||
| Leeds International Film Festival | Music Video | Won't Be Around | Official Selection | [72] | ||
| Midwest Film Festival | Best Original Music | Won't Be Around | Won | [73] | ||
| Moondance International Film Festival | Music Video | Won't Be Around | Won | [31] | ||
| Prague Independent Film Festival | Best Music Video | Won't Be Around | Won | [32] | ||
| Regina International Film Festival and Awards | Best Music Video | Won't Be Around | Nominated | [74] | ||
| Sidewalk Film Festival | Music Video | Wasn't Mine | Official Selection | [37] | ||
| Tribeca Festival | Music Video | Won't Be Around | Official Selection | [27] | ||
| Vienna Independent Film Festival | Best Music Video | Won't Be Around | Won | [33] | ||
| 2025 | Berlin Commercial Festival | Cultural Impact | All Ways – An Ode To Black Women | Shortlisted | [75] | |
| Berlin Commercial Festival | Cultural Impact | For You | Official Selection | [76] | ||
| Berlin Commercial Festival | Cultural Impact | Railroad Tracks | Official Selection | [77] | ||
| Berlin Commercial Festival | Craft: Idea | Railroad Tracks | Official Selection | [78] | ||
| Berlin Commercial Festival | Craft: Costume Styling | Railroad Tracks | Official Selection | [79] | ||
| Berlin Commercial Festival | Craft: Use of Sound & Music | For You | Official Selection | [80] | ||
| Mill Valley Film Festival | Music Video | Won't Be Around | Official Selection | [2] | ||
| Sarajevo Fashion Film Festival | Best Set Design | Railroad Tracks | Won | [81] |
Communication, design, and media awards
[edit]| Year | Organization | Category | Work | Result | Ref. |
|---|---|---|---|---|---|
| 2021 | Summit International Awards | Summit Creative Award: Audio | American Descendant of Slavery, the Album | Bronze | [22] |
| 2024 | Summit International Awards | Summit Creative Award: Video under $5,000 | Won't Be Around | Gold | [22] |
| Summit International Awards | Summit Creative Award: Direction/Editing | Won't Be Around | Silver | ||
| 2025 | Anthem Awards | Education, Art & Culture | Chicago Kinfolk: The Juke Joint Blues | Silver | [53] |
| Cresta International Advertising Awards | Innovative Use of Sound/Audio | Chicago Kinfolk: The Juke Joint Blues | Bronze | [82] | |
| Digiday Greater Good Awards | Education | Chicago Kinfolk: The Juke Joint Blues | Finalist | [83] | |
| Digiday Greater Good Awards | Racial Equality | Chicago Kinfolk: The Juke Joint Blues | Finalist | ||
| Epica Awards | Best Use of Music | Chicago Kinfolk: The Juke Joint Blues | Shortlisted | [84] | |
| Graphis | Graphis Design Award: Music – Print | American Descendant of Slavery, the Album | Silver | [23] | |
| International Design Awards | Multimedia Design | Terry Blade: Portfolio and Cultural Archive | Bronze | [85] | |
| Shorty Impact Awards | Arts & Culture | Chicago Kinfolk: The Juke Joint Blues | Won | [12] | |
| Shorty Impact Awards | Audio & Music | Chicago Kinfolk: The Juke Joint Blues | Gold | [86] | |
| Summit International Awards | Summit Creative Award: Public Awareness & Advocacy | Chicago Kinfolk: The Juke Joint Blues | Silver | [87] | |
| Summit International Awards | Summit Marketing Effectiveness Award: Social Media Marketing | For You – A Study in Creative Efficiency | Platinum | [88] | |
| The One Club Awards Denver | Radio & Audio: Custom Content | Chicago Kinfolk: The Juke Joint Blues | Silver | [89] | |
| The One Club Awards Denver | Radio & Audio: Sound Design | Chicago Kinfolk: The Juke Joint Blues | Silver | [90] | |
| The One Club Awards Denver | Radio & Audio: Use of Music | Chicago Kinfolk: The Juke Joint Blues | Bronze | [91] | |
| 2026 | Clio Music Awards | Use of Music Craft:
Casting/Performance |
Chicago Kinfolk: The Juke Joint Blues | Gold | [52] |
| Clio Music Awards | Use of Music: Use of Music Innovation | Chicago Kinfolk: The Juke Joint Blues | Bronze | [92] |
References
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- ^ Summit International Awards, Summit Creative Awards. "Galleries | Summit Awards 2025 Winners (Chicago Kinfolk: The Juke Joint Blues)". Summit Awards. Retrieved 2025-08-31.
- ^ Summit International Awards, Summit Marketing Effectiveness Awards. "Galleries | Summit Awards 2025 Winners (For You – A Study in Creative Efficiency)". Summit Awards. Retrieved 2025-12-19.
- ^ The One Club Denver Awards. "Terry Blade – Chicago Kinfolk: The Juke Joint Blues | Custom Content". The One Club. Retrieved 2025-10-17.
- ^ The One Club Awards Denver. "Terry Blade – Chicago Kinfolk: The Juke Joint Blues | Craft/Sound Design". The One Club. Retrieved 2025-10-17.
- ^ The One Club Awards Denver. "Terry Blade – Chicago Kinfolk: The Juke Joint Blues | Craft/Use of Music". The One Club. Retrieved 2025-10-17.
- ^ Clio Awards, Clio Music Awards. "Chicago Blues History: Chicago Kinfolk: The Juke Joint Blues - The Clios". Winners Gallery | The Clios. Retrieved 2026-01-13.
External links
[edit]- Official website
- Terry Blade at IMDb
- Terry Blade on MusicBrainz
- Terry Blade discography at Discogs