^"I have already had occasion elsewhere to state my opinion that some of the paintings attributed by M. Ehrmann to Caron may perhaps be by other hands. I still feel it difficult to believe that the Beauvais Massacre with its sharply Flemish architecture can be a product of the French School, and I do not feel convinced that the Semele, the Carrousel with the Elephant, and the Martyrdom of Sir Thomas More are necessarily by his hand. "Blunt, Anthony F. (November 1956) "Review: Antoine Caron Peintre à la Cour des Valois 1521–1599 by Jean Ehrmann" The Burlington Magazine 98(644): p. 418