Clarence Hudson White

Clarence Hudson White

Clarence H. White, c1910. Retrat de Gertrude Käsebier
Biografia
Naixement	Clarence Hudson White 8 abril 1871 Newark (Ohio)
Mort	7 juliol 1925 (54 anys) Ciutat de Mèxic
Causa de mort	infart de miocardi
Nacionalitat	Estats Units
Formació professional	high school
Activitat
Ocupació	fotògraf, professor d'universitat
Activitat	(Floruit: 1898 )
Ocupador	Universitat de Colúmbia
Membre de	Photo-Secession The Linked Ring ^(en)
Company professional	Alfred Stieglitz: White and Stieglitz ^(en)
Família
Cònjuge	Jane Felix
Fills	Lewis Felix, Maynard Pressley, Clarence Hudson Jr.
Pares	Lewis Perry White i Phebe Billman

Clarence Hudson White (1871 – 1925) va ser un fotògraf autodidacte estatunidenc membre dels moviments anomenats Photo-Secession i Pictorialisme. El 1906 White i la seva família dexaren l'ambient rural d'Ohio i es traslladaren a la ciutat de Nova York. El 1914 fundà la Clarence H. White School of Photography, la primera institució educativa dels Estats Units que va ensenyar la fotografia com un art. Va ser amic i un seguidor d'Alfred Stieglitz, un dels fundadors de la Photo-Secession.^[1]

"Drops of Rain", 1908

"The Watcher", 1906

"Torso", 1907, jointly created by White and Stieglitz

Galeria fotogràfica

• 
  Boy with Wagon, 1898
• 
  The Ring Toss, 1899
• 
  Letitia Felix, 1901
• 
  The Orchard, 1902
• 
  The Kiss, 1905
• 
  Pipes of Pans, 1905
• 
  Boy with Camera Work, 1905
• 
  Experiment #27 - Jointely creat per White i Alfred Stieglitz
• 
  Nude, 1908
• 
  Rose Pastor Stokes, 1909

Referències

• Barnes, Lucinda (ed.) with Constance W. Glenn and Jane L. Bledsoe. A Collective Vision: Clarence H. White and His Students. Long Beach, CA: University Art Museum, 1985.
• Bunnell, Peter. Clarence H. White: The Reverence for Beauty. Athens, Ohio: Ohio University Gallery of Fine Arts, 1986. ISBN 0-933041-01-2
• Bunnell, Peter. The Significance of Clarence Hudson White (1871-1925) in the Development of Expressive Photography. Athens, Ohio: Ohio University, Master's Thesis, 1961.
• Fulton, Marianne (ed.) with Bonnie Yochelson and Kathleen Erwin. Pictorialism into Modernism, The Clarence H. White School of Photography. NY: Rizzoli, 1996. ISBN 0-8478-1936-1
• Homer, William Innes (editor). Symbolism of Light: The Photographs of Clarence H. White. Wilmington, DE: Delaware Art Museum, 1977.
• Maddox, Jerald. Photographs of Clarence H. White. Lincoln, Nebraska: Sheldon Art Gallery, 1968
• Michaels, Barbara L."Pattern vs. Passion: The Legacy of the Clarence H. White School of Photography." Afterimage, Vol 24 (November/December 1996), p 7-11
• Naef, Weston J. The Collection of Alfred Stieglitz, Fifty Pioneers of Modern Photography. NY: Viking Press, 1978. ISBN 0-670-67051-0
• Nickel, Douglas R. "Autochromes by Clarence H. White." Record of the Art Museum, Princeton University Vol. 51, No. 2 (1992), pp. 31–37
• Padon, Thomas (ed.). Truth Beauty, Pictorialism and the Photograph as Art, 1845 ‒ 1945. Vancouver, BC: Vancouver Art Gallery, 2008. ISBN 978-1-55365-294-6
• Peterson, Christian A. Alfred Stieglitz's Camera Notes. New Yprk: Norton, 1993. ISBN 0-393-31126-0
• Peterson, Christian A. After the Photo-Session: American Pictorial Photography 1910-1955. New York: Norton, 1997. ISBN 0-393-04111-5
• White, Clarence H., Jr. and Peter C. Bunnell. "The Art of Clarence Hudson White." The Ohio University Review. 7 (1965), pp 40-65.
• White, Maynard P., Jr. Clarence H. White. Millerton, NY: Aperture, 1979. ISBN 0-89381-019-3
• White, Maynard Pressley, Jr. Clarence H. White: A Personal Portrait. Wilmington, Delaware: University of Delaware, PhD dissertation, 1975.
• Yochelson, Bonnie. "Clarence H. White Reconsidered: An Alternative to the Modernist Aesthetic of Straight Photography." Studies in Visual Communications, 9, Fall 1893, pp 22–44.

Notes

1. Brown, Julie K. Contesting Images: Photography and the World's Columbian Exposition. Tucson: University of Arizona, 1974, p. 10–35. ISBN 0-8165-1410-0. 

Enllaços externs

• Obres de o sobre Clarence Hudson White a Internet Archive