Menora (dance)

Menora
waa balibu
Yaɣ sheliThai dance, Malaysian dance Mali niŋ
TiŋaMalaysia Mali niŋ
Tingbani shɛli din yinaThailand Mali niŋ
Intangible cultural heritage statusRepresentative List of the Intangible Cultural Heritage of Humanity, National Inventory of Intangible Cultural Heritage in Malaysia Mali niŋ
Described at URLhttps://ich.unesco.org/en/RL/01587, https://ich.unesco.org/fr/RL/01587, https://ich.unesco.org/es/RL/01587 Mali niŋ

Menora bee Manora (มโนราห์; pronounced [mā.nōː.rāː]), saha shɛŋa ka bɛ ŋmaali jia booni li Nora (โนรา; Thai pronunciation: [nōː.rāː]) nyɛla "traditional Siamese theatrical", binkumda, mini waa wabu din pili southern regions of Thailand.[1] Ka mali nahingbana din yina Jataka salima din Manohara dini, lala niŋsim ŋɔ chaŋmi ti ŋmani Lakhon chatri (ละครชาตรี), "Siamese arts" shɛli dabam din pili central Thailand. Yuun kɔbisinu nyaaŋa, Nora nyɛla din niŋdi Thailand tiŋkpansi laɣimbu sheei mini kaya ni taɣada wuhibu shɛhi, ban mali di baŋsim yinsi ni m-mali di li wuhiri ban pahi, tiŋpuuni laɣinsi mini baŋsim lɛbu shɛhi.[1] Malaysia tiŋgbani ni, Menora nyɛla din dii lahi ka yaa, tum Kelantan gɔmnanti ni daa yina ti na kari li, ka di nyɛla din niŋla "haram" (lit. ‘forbidden’)[2] bee din chihiri ni nira jamdi binbɔbigu.[3]

Yuuni 2021, Nora daa nyɛla UNESCO (United Nations Educational, Scientific and Cultural Organization) ni daa kali shɛli pahi "Intangible Cultural Heritage of Humanity" ni.[1]

Kundivihira

[mali niŋ | mali mi di yibu sheena n-niŋ]
  1. ↑ 1.0 1.1 1.2 Nora, dance drama in southern Thailand. United Nations Educational, Scientific and Cultural Organization (UNESCO) (2021).
  2. ↑ Mohammad Taqi al-Modarresi (26 March 2016). The Laws of Islam (PDF) (in English). Enlight Press. ISBN 978-0994240989. Archived from the original (PDF) on 2 August 2019. Retrieved 22 December 2017.
  3. ↑ New Straits Times (26 January 2020). Kelantan has no plans to lift ban on Menora. New Straits Times.

Further reading

[mali niŋ | mali mi di yibu sheena n-niŋ]
  • (1972) "The Menora dance-drama: an introduction". Journal of the Siam Society 60 (2): 169–181.
  • (1992) "Le Nora du sud de la Thaïlande: un culte aux ancêtres". Bulletin de l'École française d'Extrême-Orient 79 (2): 261–282. DOI:10.3406/befeo.1992.1881.
  • (1982) "A Little Drama of Ethnicity: Some Sociological Aspects of the Kelantan Manora". Southeast Asian Journal of Social Science 10 (1): 69–95. DOI:10.1163/156853182X00056.
  • (1982) "CORRIGENDA: A Little Drama of Ethnicity: Some Sociological Aspects of the Kelantan Manora". Southeast Asian Journal of Social Science 10 (2): 118. DOI:10.1163/156853182X00191.
  • (November 1998) "The Art of Manora: an Ancient Tale of Feminine Power Preserved in South-East Asian Theatre". New Theatre Quarterly 14 (56): 373–394. DOI:10.1017/S0266464X00012458.
  • (1973) "MANORA in KELANTAN". Journal of the Malaysian Branch of the Royal Asiatic Society 46 (1 (223)): 160–170.
  • (1967) "'Mahōrasop' in a Thai Manōrā Manuscript". Bulletin of the School of Oriental and African Studies, University of London 30 (2): 391–403. DOI:10.1017/S0041977X00062297.
  • (1971) "'Mahōrasop' II: The Thai National Library Manuscript". Bulletin of the School of Oriental and African Studies, University of London 34 (1): 119–131. DOI:10.1017/S0041977X00141618.
  • (1988) "The Thai 'Menora' in Malaysia: Adapting to the Penang Chinese Community". Asian Folklore Studies 47 (1): 19–34. DOI:10.2307/1178249.