Robert da Raymond Hakim

Robert da Raymond Hakim
sibling duo ^(en)

Robert Hakim (An haifeshi ranar 19 ga watan Disamba 1907 – 9 ga watan Fabrairu 1992) da Raymond Hakim (23 Agusta 1909 – 14 Agusta 1980) 'yan'uwa ne haifaffen Masar waɗanda galibi suna aiki tare a matsayin masu shirya fina-finai a Faransa da sauran ƙasashen Turai. Dan uwansu André Hakim shima furodusan fim ne.

Samar da fim

Da farko suna aiki da kamfanin Amurka Paramount, sun kafa kamfanin Paris-Film Production a 1934. Sun ba da kuɗin Julien Duvivier 's Pépé le Moko (1937), Jean Renoir 's La Bête Humaine (1938) da Marcel Carné 's Le Jour se lève ( Rana ta 1939), duk suna tauraro Jean Gabin . ’Yan’uwan sun zauna a Amirka a lokacin Yaƙin Duniya na Biy.^{[1] [2]}

Bayan yakin sun yi aiki a kan fina-finan Amurka da dama, ciki har da Renoir's The Southerner (1945) da The Long Night (1947), wani remake na Le Jour se lève tare da Henry Fonda .

A cikin 1950, sun koma Faransa kuma suka fara shirya fina-finai da ke nufin masu sauraro na duniya. Casque d'or (1953) ya ƙaddamar da aikin Simone Signoret da Plein Soleil (1960) ya yi daidai da Alain Delon . Notre Dame de Paris (1956) tare da Anthony Quinn a matsayin Quasimodo da Gina Lollobrigida kamar yadda Esmeralda ya samu nasara a duniya, amma ba a karbe shi sosai ba.

A cikin 1960s, sun yi fina-finai guda biyu tare da darektan nouvelle mara kyau, Claude Chabrol tare da yawon shakatawa na biyu ( Web of Passion, 1959) da Les Bonnes Femmes (1960), amma sunyi aiki tare da tsofaffin daraktoci, kamar Luis Buñuel akan Belle de jour (1967). ). A wasu lokuta, sun yi aiki tare da wani sabon sabo ga masu sauraron duniya, kamar Michelangelo Antonioni akan L'Eclisse (1962). Sun kuma yi aiki tare da Roger Vadim a kan sake yin La Ronde (1964), wanda ya nuna alamar matar Vadim a lokacin, Jane Fonda .

Kabarin Robert da Raymond a cikin makabartar Père-Lachaise .

Hakiman suna da suna mai gauraya; Darektan Amurka Joseph Losey yana da dangantaka ta musamman da su yayin yin Eva (1962). A bayan fitowar, Losey da tawagarsa sun gano cewa an sake yin fim a karshen mako ba tare da shawarwarin su ba; Losey da Robert Hakim sun kusan zuwa busa. An ba da izini ga Michel Legrand don maki ba tare da tuntuɓar ba kuma, amma kamar ɗan wasan kwaikwayo Jeanne Moreau, ba a biya kuɗi ba.^[3]

Filmography zaba

• Kiss na Wuta (1937)
• Hasken Paris (1938)

Duba kuma

Academy 1-2-3, 165 Oxford Street, London, wanda Eric Hakim ke gudanarwa

Nassoshi

1. Bawden, Liz-Anne, ed. (1976). The Oxford Companion to Film. Oxford: Oxford University Press. p. 316.
2. Baxter, John (2000). "Raymond Hakim and Robert". Film Reference/International Dictionary of Film and Filmmakers.
3. Caute, David (1994). Joseph Losey: A Revenge on Life. London: Faber & Faber. p. 137.