Charles Cordier

Charles Cordier
mmádu
ụdịekerenwoke Dezie
mba o sịFrance Dezie
aha n'asụsụ obodoCharles Cordier Dezie
aha enyereCharles Dezie
aha ezinụlọ yaCordier Dezie
ụbọchị ọmụmụ ya19 Ọktoba 1827, 1 Novemba 1827 Dezie
Ebe ọmụmụCambrai Dezie
Ụbọchị ọnwụ ya29 Eprel 1905, 30 Eprel 1905, 30 Mee 1905 Dezie
Ebe ọ nwụrụAlgiers Dezie
Ebe oliliMontmartre Cemetery Dezie
nwaHenri Cordier Dezie
IkwuFirmin Gillot Dezie
onye dị ịrịba amaEmile Guillemin Dezie
asụsụ ọ na-asụ, na-ede ma ọ bụ were na-ebinye akaFrench language Dezie
ọrụ ọ na-arụonye na-akpụ ihe ọkpụkpụ, osee foto Dezie
ụdị ọrụ yaart of sculpture Dezie
ebe agụmakwụkwọBeaux-Arts de Paris Dezie
nwa akwukwo nkeFrançois Rude Dezie
ụdịOrientalism Dezie
onye nlereranyaEmile Guillemin Dezie
Ihe nriteKnight of the Legion of Honour Dezie
ikike nwebiisinka dị ka onye okikecopyrights on works have expired Dezie
omenkà faịlụ naFrick Art Research Library, Schomburg Center for Research in Black Culture Dezie

Charles Henri Joseph Cordier (19 Ọktoba 1827 - 30 Mee 1905) bụ onye France na-ese ihe gbasara agbụrụ agbụrụ . A maara ya maka ihe ọkpụkpụ polychrome ya na oge ikpeazụ nke Orientalism .

Ndụ mmalite na agụmakwụkwọ

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Nwanyị nke Colonies (1861), Paris, Musée d'Orsay .

A mụrụ Cordier na Cambrai, North nke Paris na 1827.

Na 1847, nzukọ ya na Seïd Enkess, bụbu ohu ojii nke ghọrọ ihe nlereanya, kpebiri ụzọ ọrụ ya. [1]

Ihe ịga nke ọma nke mbụ ya bụ nchara nchara nke onye Sudan "Saïd Abdullah nke Mayac, Kingdom of the Darfur " (Sudan), gosipụtara na Paris Salon nke 1848, n'otu afọ ahụ ka kwụsịrị ịgba ohu n'obodo ndị France niile. [2] A na-edebe ya ugbu a na Walters Art Museum . N'afọ ] [ Queen Victoria zụtara bronze n'ime nnukwu ihe ngosi nke London. 

Site na 1851 ruo 1866, Cordier jere ozi dị ka onye na-ese ihe osise nke Paris National Museum of Natural History . N'oge a, ọ gara mba ofesi, wee chepụta ọrụ iji kpụrụ ụdị agbụrụ dị iche iche, busts dị ndụ dị egwu maka ụlọ ngosi agbụrụ ọhụrụ ha. [2] (dị ugbu a na Musee de l'Homme, Paris). N'afọ 1856, ọ gara Algeria, chọta ebe ndị onyx ] n'ebe [ mepeghachiri ebe a na-egwupụta ihe n'oge ochie wee malite iji nkume ahụ mee ihe na-agba agba. [3]

"Ịma mma abụghị nke otu agbụrụ nwere ihe ùgwù, akwalitela m n'ụwa nile nke nkà echiche na ịma mma dị ebe niile. agbụrụ ọ bụla nwere ịma mma nke ya, nke dị iche na nke ndị ọzọ. Onye ojii kachasị mma abụghị nke ahụ. onye kacha dị ka anyị."

("Le beau n'est pas propre à une race privilégiée, j'ai émis dans le monde artistique l'idée de l'ubiquité du beau. Toute race a sa beauté qui diffère de celle des autres agbụrụ. Le plus beau nègre n. 'est pas celui qui nous ressemble le plus.") [4]

Cordier keere òkè na nnukwu ọrụ ndị Alaeze Ukwu France nke Abụọ nyere ọrụ ( Paris Opera, Musée du Louvre, Hôtel de Ville ) ma ọ bụ site n'aka ndị ama ama gụnyere Queen Victoria, Napoléon III na Empress Eugénie, Baron James de Rothschild, na Marquess nke Hertford. . [5]

Site na 1890 ruo mgbe ọ nwụrụ na 1905 Cordier biri na Algiers, na Westernized Rue de Tivoli. [6]

Nnabata dị mkpa

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N'afọ 2005, Barbara Larson kwurịtara nke ọma ihe ngosi na Musée d'Orsay, na-akọwa njikọ dị n'etiti ntinye aka colonial na mmepụta ihe ịchọ mma yana akụkụ nke nwanyị. O gosikwara na Cordier abụghị "onye na-akwado echiche nke enweghị agbụrụ" ọ na-emekarị ka ọ bụrụ. [6]

Na 2022, ndị na-ahụ maka The Color of Anxiety, ihe ngosi na Henry Moore Institute na Leeds, nke na-egosi ihe osise abụọ nke Cordier (La femme africaine, 1857 na Venus africaine, 1899) kwuru na "Ọ bụ ezie na ndị nwoke na-acha ọcha dị ka John. Bell na Charles Cordier bu n'obi iweta ụzọ nke ụlọ ọrụ ịgba ohu n'ihu ọha, n'agbanyeghị nke ahụ, ha na-azụ ahịa na ọchịchọ nke mmekọahụ rụrụ arụ nke sitere n'otu usoro ahụ mụrụ." [7]

  • Ihe ncheta nke Christopher Columbus (Paseo de la Reforma, Mexico City)

Akwụkwọ akụkọ

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Ntụaka

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d'Orsay, na-akọwa njikọ dị n'etiti ntinye aka colonial na mmepụta ihe ịchọ mma yana akụkụ nke nwanyị. O gosikwara na Cordier abụghị "onye na-akwado echiche nke enweghị agbụrụ" ọ na-emekarị ka ọ bụrụ

Njikọ mpụga

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  1. Described in his Mémoires, Musée d'Orsay exhibition from 3 February 2004 to 2 May 2004, Facing the other : Charles Cordier, ethnographic sculptor, page 5.
  2. 2.0 2.1 Smee. "A woman who makes us stop and wonder", Boston.com, 2011-07-19. Retrieved on 2023-02-03.Smee, Sebastian (2011-07-19). "A woman who makes us stop and wonder". Boston.com. Retrieved 2023-02-03.
  3. Woman of Algiers [originally titled "The Jewish Woman of Algiers"]. www.metmuseum.org. Retrieved on 2023-02-03.
  4. CORDIER, Les Nubiens, MuMa Le Havre : site officiel du musée d'art moderne André Malraux. www.muma-lehavre.fr. Retrieved on 2023-02-03.
  5. "Charles-Henri-Joseph Cordier", Christies, 29 October 2019.
  6. 6.0 6.1 Barbara Larson (December 2005). The Artist as Ethnographer: Charles Cordier and Race in Mid-Nineteenth-Century France (en). www.mutualart.com. Retrieved on 2023-02-03.Barbara Larson (December 2005). "The Artist as Ethnographer: Charles Cordier and Race in Mid-Nineteenth-Century France". www.mutualart.com. Retrieved 2023-02-03.
  7. Nicola Jennings, Adrienne Childs (nd). The Colour of Anxiety: Race, Sexuality and Disorder in Victorian Sculpture booklet (en-GB). Henry Moore Foundation. Retrieved on 2023-01-19.