Femi Euba

Femi Euba

mmádu

ụdịekere	nwoke
mba o sị	Naijiria
ụbọchị ọmụmụ ya	1941
Ebe ọmụmụ	Lagos
Asụsụ obodo	Asụsụ Yoruba
asụsụ ọ na-asụ, na-ede ma ọ bụ were na-ebinye aka	English, Asụsụ Yoruba, pidgin Naịjirịa
ọrụ ọ na-arụ	omee, academic, odee akwụkwọ, odee ejije
onye were ọrụ	Louisiana State University, College of William & Mary
ebe agụmakwụkwọ	Yale School of Drama, Obafemi Awolowo University

Femi Euba Listenⓘ (amuru Eprel 1939) bu onye omere, odee na onye na-eme ihe nkiri, onye biputala otutu oru ejije, echiche, na akụkọ ifo.  Ọrụ ya dị ka onye na-eme ihe nkiri gụnyere ime ihe nkiri, edemede egwuregwu na nduzi.  Otu n'ime ihe nkiri ya bụ omenala ndị Yoruba.

Agụmakwụkwọ na ọrụ ya

Amụrụ na Lagos, Nigeria, nwa Alfeus Sobiyi Euba na Winifred Remilekun Euba (née Dawodu), [1] Femi Euba gụrụ akwụkwọ ime ihe na England na Rose Bruford College nke Okwu na ihe nkiri, na-enweta diplọma.  na 1965, mgbe nke ahụ gasịrị, ọ pụtara na ọtụtụ ihe ngosi na London ogbo, gụnyere 1966 Royal Court Theatre mmepụta nke Wole Soyinka's  The Lion and the Jewel (dị ka Lakunle the Schoolteacher)  , [2] na Shakespeare's  Macbeth, ya na Sir Sir Alec Guinness dị ka  Macbeth   , duziri site William Gaskill.[3]^[1][2][3]

Euba hapụrụ London n'afọ 1970 iji mụọ Playwriting na Dramatic Literature na Yale School of Drama, ebe ọ nwetara MFA n'afọ 1973. Yale School of Drama MFA N'afọ 1980-82, ọ laghachiri Yale ịmụ ihe, na-enweta MA na Afro-American Studies. Ọ laghachiri Naịjirịa, ebe ọ rụrụ ọrụ afọ ole na ole, wee nweta PhD na Literature-in-English na Mahadum Ife, Naịjirị (nke bụzi Mahadum Obafemi Awolowo), na 1986. Mahadum nke Ife^[4]

Kemgbe ọtụtụ afọ, Euba akụziwo na kọleji na mahadum dị iche iche, na Naijiria na US, gụnyere kọleji William & Mary na Virginia. Kọleji nke William & Mary na Virginia Ugbu a ọ bụ Louise na Kenneth Kinney Prọfesọ na Mahadum Steeti Louisiana, ọ gara n'ihu na-akụzi edemede egwuregwu, na akwụkwọ ndị dị egwu, na-elekwasị anya na ihe nkiri na ihe nkiri nke Africa na nke ndị Afrịka. Mahadum Steeti Louisiana Ọ bụkwa onye ndụmọdụ na Black Theatre.

N'etiti ọtụtụ ihe nrite ya dị ka onye nduzi bụ Soyinka's Death and the King's Horseman (2008) na The Trials of Brother Jero (1988); Edouard Glissant's Monsieur Toussaint (1990); August Wilson's Joe Turner's Come and Gone (1994); Shakespeare's The Tempest (2005); Molière's The Learned Ladies (1991); Euripides' Alcestis (2001); Athol Fugard's Sizwe Bansi is Dead (1992-93); African Mer Mer Mer Merly Condy (1993)), The Mer Mer Mercy's Mer Mer Merley's Mercy (1992); The African Company (1992); Mer Mer Merbybybyby Mer Mer Merry Mer Mer Merki (2012), The Mer Mercy (1999)), The Mercy (1993) Ọnwụ na onye na-agba ịnyịnya nke Eze Ọnwụnwa nke Nwanna Jero Edouard Glissant Monsieur Toussaint August Wilson Joe Turner's Come and Gone The Tempest Molière The Learned Ladies Euripides Alcestis Athol Fugard Sizwe Bansi is Dead Richard Brinsley Sheridan The African Company Presents Richard III Henrik Ibsen Hedda Gabler Maryse Condé Tropical Breeze Hotel Eduardo Machado Broken Eggs Stephen Adly Guirgis Our Lady of 121st Street Tarell Alvin McCraney Brothers^[5]

Ọrụ ya

• "Akibu: egwuregwu maka telivishọn n'akụkụ abụọ" na Five African Plays; ed. Egwuregwu Ise nke Afrịka Cosmo Pieterse Cosmo Pieterse London: Heinemann Educational Books, 1972.
• A Riddle of the Palms and Crocodiles (egwuregwu), Negro Ensemble Company, 1973. Ihe omimi nke ụlọ ọrụ nkwụ na agụ iyi Negro Ensemble
• Archetypes, Imprecators and Victims of Fate: Origins and Developments of Satire in Black Drama, Greenwood Press, 1989, ISBN 0-313-25557-1 Archetypis, Imprecateors and Victimes of Fate (Origin and Developments) __ibo____ibo____ibo__ Ọ bụ ezie na ọ bụ ISBN __ibo____ibo____ibo__ Ọ bụ ezie na ọ bụ 0-313-25557-1
• The Gulf, Longman, 1991. Ọwara Oké Osimiri
• "The Eye of Gabriel" (egwuregwu), na Black Drama, Alexander Street Press, 2002. Ihe nkiri ojii Alexander Street Press
• "Dionysus of the Holocaust" (egwuregwu), na Black Drama, Alexander Street Press, 2002. Ihe nkiri ojii
• Poetics of the Creative Process: An Organic Practicum to Playwriting, University Press of America, 2005. Poetics of the Creative Process: An Organic Practicum to Playwriting University Press of America
• Camwood at Crossroads (akwụkwọ akụkọ), Xlibris, 2007. Camwood na Crossroads Xlibris^[6](N'onwe ya bipụtara) N'onwe ya

Edensibia

• Ndị edemede nke oge a n'ịntanetị, Thomson Gale, 2005.

• College of Music & Dramatic Arts, Louisiana State University [nkwekọrịta nwụrụ anwụ na-adịgide adịgide] College of Music and Dramatic arts, Louisiana State State University __ibo____ibo____ibo__ Ọ bụ ezie na ọ bụ [ njikọ nwụrụ anwụ na-adịgide adịgide ]

1. Osagie (June 2017). African Modernity and the Philosophy of Culture in the Works of Femi Euba (in en-us). Lexington Books. ISBN 978-1-4985-4566-2. 
2. Martin Banham, "Critical Responses: Wole Soyinka’s The Lion and the Jewel. Royal Court Theatre, London, December 1966", Black Plays Archive, National Theatre.
3. "Macbeth (1966)", British Black and Asian Shakespeare Performance Database (BBA Shakespeare), University of Warwick, 2016.
4. Femi Euba | Biography. LSU, College of Music & Dramatic Arts // School of Theatre. Retrieved on 6 November 2022.
5. "About the director — Femi Euba", Dionysus of the Holocaust.
6. (1998) in Siga Fatima Jagne: Postcolonial African Writers:A Bio-bibliographical Critical Sourcebook. Greenwood. ISBN 978-0205-164875. Retrieved on 8 August 2014.