Mohamed Chouikh

Mohamed Chouikh
mmádu
ụdịekerenwoke Dezie
mba o sịAlgeria, France Dezie
aha n'asụsụ obodoمحمد الشويخ Dezie
aha enyereMohamed Dezie
ụbọchị ọmụmụ ya3 Septemba 1943 Dezie
Ebe ọmụmụMostaganem Dezie
Dị/nwunyeYamina Bachir Dezie
nwaYasmine Chouikh Dezie
asụsụ ọ na-asụ, na-ede ma ọ bụ were na-ebinye akaFrench language Dezie
ọrụ ọ na-arụonye nhazi ederede, onye nhazi ndu ihe nkiri, omee, odee akwụkwọ Dezie
Mohamed Chouikh

Mohamed Chouikh (a mụrụ n'afọ 1943) bụ onye Algeria na-eme ihe nkiri na onye na-eme egwuregwu.[1][2]

A mụrụ Mohamed Chouikh na Mostaganem, Algeria n'abalị 3 ọnwa Septemba afọ 1943, ebe ọ ga-aghọ onye na-eme ihe nkiri na otu ndị otu nke mechara ghọọ Algeria National Theatre. N'afọ 1965, ọ rụrụ ọrụ n'otu n'ime ihe nkiri kachasị ukwuu na Algeria, L'Aube des damnés nke René Vautier na Ahmed Rachedi. N'afọ 1966, ọ rụrụ ọrụ Lakhdar (nwa nwoke) na Le vent des Aurès nke Mohamed Lakhdar Hamina. N'afọ 1972 ọ duziri L'Embouchure maka Algeria TV, Les Paumés (1974) sochiri ya n'afọ 1974. N'afọ 1982, o mere ihe nkiri mbụ ya, Rupture, ma na-arụ ọrụ edemede na onye nduzi kemgbe ahụ.

Ihe nkiri

[dezie | dezie ebe o si]
  • Nkewa (al-Inquita - Nkewa) 1982
  • Citadelle (al-Qala - The Citadel) 1988
  • Youcef: Akụkọ ifo nke onye nke asaa na-ehi ụra (Youcef kesat dekra sabera - Youcef - Akụkọ ifo maka onye nke asaa bi na ya) 1993
  • Ụgbọ mmiri nke Ọzara (The Desert Ark) 1997
  • Douar nke ụmụ nwanyị (Douar al-nisaa - Hamlet of Women) 2005
  • Osimiri Andalusi (Al Andalusi) 2014

Edemsibịa

[dezie | dezie ebe o si]
  1. ↑ Armes (June 2008). Dictionary of African filmmakers. Indiana University Press, 139–. ISBN 978-0-253-35116-6. Retrieved on 14 July 2011. 
  2. ↑ Armes (2005). Postcolonial images: studies in North African film. Indiana University Press, 218–. ISBN 978-0-253-34444-1. Retrieved on 14 July 2011. 

Ọgụgụ ihe ọzọ

[dezie | dezie ebe o si]
  • Guy Austin, "Mohamed Chouikh: From Anticolonial Commemoration to a Cinema of Contestation" in: Josef Gugler (ed.), Ten Arab Filmmakers: Political Dissent and Social Critique, Indiana University Press, 2015, , peeji nke 166X187