Chorea silvestrium (1393)

Chorea silvestrium villosorum in chirographo Froissartii Chronicorum depicta

Chorea silvestrium[1] seu chorea sarracenica,[2] Francogallice postea Bal des ardents scil. ballatio ardentium appellata, fuit spectaculum saltatorum personatorum Lutetiae die 28 Ianuarii 1393 actum,[3] Carolo VI rege Franciae et quinque nobilibus participibus. Face a Caroli fratre Ludovico duce Aurelianensi allato, vestimenta arserunt saltatorum, ex quibus quattuor igni sunt interfecti, sed Carolus et alius superstites fuerunt. Spectaculum fidem regi labefactavit, et Parisienses hoc indicium aulae luxuriae habentes minati sunt seditionem contra nobiles potentiores movere. Populus indignabundus regem ac ducem Aurelianensem, a scriptore rerum gestarum etiam conatús regicidii et veneficii accusatum, paenitentiam agere coëgit.

Elizabetha Bavariae, uxor Caroli, saltationem habuit ut secundas asseclae nuptias celebret. Historici credunt eam fortasse fuisse charivarium, saltatoribus partes agentibus hominum ferorum daemonicorum. Saltatio in annalibus monachi S. Dionysii et Ioannis Froissartii descripta est, et depicta a magistro Michaelis Burgundiae et aliis in pluribus chirographis saeculi XV. Etiam fortasse Edgaro Allan Poe argumentum scaenae fabulae Hop-Frog dedit.

Fontes primarii

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Notae

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  1. ↑ "Personatorum silvestrium et semiferorum ... choream": Ioannes Serranus, Historia regum Galliae integra (1627) (p. 209 apud Google Books)
  2. ↑ "Choreas sarracenicas inceperunt": monachus S. Dionysii lib. 13 cap. 16
  3. ↑ Stilo veteri "mil CCC IIIIxx et XII", scil. 1392: ita Froissart p. 90

Bibliographia

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  • Crane, Susan. (2002). The Performance of Self: Ritual, Clothing and Identity During the Hundred Years War. Philadelphia: University of Pennsylvania Press. ISBN 978-0-8122-1806-0
  • Curry, Anne. (2000). The Battle of Agincourt: Sources and Interpretations. Rochester, NY: Boydell Press. ISBN 978-0-85115-802-0
  • Famiglietti, Richard C. (1995). "Juvenal Des Ursins". in Kibler, William (ed). Medieval France: An Encyclopedia. New York: Garland. ISBN 978-0-8240-4444-2
  • Gibbons, Rachel. (1996). "Isabeau of Bavaria, Queen of France (1385–1422): The Creation of an Historical Villainess". The Royal Historical Society, Vol. 6. 51–73
  • Heckscher, William. (1953). Review of Wild Men in the Middle Ages: A Study in Art, Sentiment, and Demonology by Richard Bernheimer. The Art Bulletin. Vol. 35, No. 3. 241–243
  • Henneman, John Bell. (1996). Olivier de Clisson and Political Society in France under Charles V and Charles VI. Philadelphiae: University of Pennsylvania Press. ISBN 978-0-8122-3353-7
  • Knecht, Robert. (2007). The Valois: Kings of France 1328–1589. Londinii: Hambledon Continuum. ISBN 978-1-85285-522-2
  • MacKay, Ellen. (2011). Persecution, Plague, and Fire. Sicagi: University of Chicago Press. ISBN 978-0-226-50019-5
  • Nara, Katerina. (2002). "Representations of Female Characters in Jean Froissarts Chroniques". in Kooper, Erik (ed.). The Medieval Chronicle VI. Amsterdam: Rodopi. ISBN 978-90-420-2674-2
  • Seward, Desmond. (1978). The Hundred Years War: The English in France 1337–1453. Novi Eboraci: Penguin. ISBN 978-1-101-17377-0
  • Stock, Lorraine Kochanske. (2004). Review of The Performance of Self: Ritual, Clothing, and Identity during the Hundred Years War by Susan Crane. Speculum 79(1): 158–161
  • Tuchman, Barbara. (1978). A Distant Mirror: The Calamitous 14th Century. Novi Eboraci: Ballantine. ISBN 978-0-345-34957-6
  • Veenstra, Jan R., et Laurens Pignon. (1997). Magic and Divination at the Courts of Burgundy and France. Novi Eboraci: Brill. ISBN 978-90-04-10925-4
  • Wagner, John. (2006). Encyclopedia of the Hundred Years' War. Westport Connecticutae: Greenwood Press. ISBN 978-0-313-32736-0