David Sanjek

David Sanjek
Ħajja
Twelid	Belt ta' New York, 3 Settembru 1952
Mewt	29 Novembru 2011
Okkupazzjoni
Okkupazzjoni	kittieb
Impjegaturi	L-Università ta' Salford

David Sanjek (3 ta’ Settembru 1952 – 29 ta’ Novembru 2011) kien Professur tal-Mużika Popolari u Direttur taċ-Centru għar-Riċerka Mużikali fl-Università ta’ Salford, f'Greater Manchester, l-Ingilterra. Flimkien ma’ missieru, Russell Sanjek, ipproduċew l-ewwel storja komprensiva miktuba dwar l-industrija tal-mużika Amerikana; American Popular Music and Its Business: The First Four Hundred Years.

Sanjek kien akkademiku li ppubblika ħafna dwar il-mużika popolari, il-Films, l-istudji tal-media, il-liġijiiet għad-drittijiet tal-awtur u l-kultura popolari. Kien Direttur tal-Arkivji tal-Broadcast Music, Inc. (BMI) bejn l-1991 u l-2007 u kien meqjus bħala espert dinji f’dan il-qasam.^[1] Huwa serva wkoll bħala konsulent għal ħafna organizzazzjonijiet, inklużi l-Library of Congress, ir-Rock and Roll Hall of Fame, ir-Rhythm & Blues Foundation, il-Blues Foundation, The Experience Music Project Museum, u National Endowment for Humanities, kif ukoll fuq diversi kumitati għall- Akkademja Nazzjonali tal-Arti u x-Xjenzi tar-Reġistrazzjoni (NARAS). Kien ukoll il-President, Viċi-President u Segretarju tal-Fergħa tal-Istati Uniti tal-Assoċjazzjoni Internazzjonali għall-Istudju tal-Mużika Popolari.^[2]

Ħajja bikrija u karriera

David Sanjek kien iben il-kollettur tal-mużika jazz magħruf, storiku tal-industrija tal-mużika^[3] u direttur eżekuttiv tal-BMI^[4] Russell Sanjek. Huwa rċieva l-B.A. tiegħu fl-Ingliż u l-Filosofija minn Connecticut College u l-M.A. u l-Ph.D. fil-Letteratura mill-Università ta’ Washington f’St Louis. Huwa qatta' s-snin pre-akkademiċi tiegħu bħala mexxej influwenti u popolari taż-żgħażagħ^[5] fil-kampijiet tas-sajf Farm & Wilderness u programmi edukattivi assoċjati li jinsabu fi u madwar Plymouth, Vermont.

Sanjek kien ta’ dixxendenza Kroata.

American Popular Music and Its Business: The First Four Hundred Years

Dan ix-xogħol kolossali ta’ riċerka u kitba^[6] jittraċċa l-istorja tan-industija tal-mużika Amerikana mill-oriġini tagħha fl-Ingilterra Eliżabettana sa tmiem is-seklu għoxrin. David Sanjek kien responsabbli għall-aġġornament u r-raffinar tax-xogħol fit-tielet volum "Pennies From Heaven", li jiffoka fuq it-trasformazzjonijiet teknoloġiċi u legali li affettwaw l-industrija tal-Mużika Amerikana bejn l-1909 u l-1984.

Legat

L-eluf ta' kotba, ġurnali, karti, diski u għad ta' artefatti awdjo u viżivivi mill-kollezzjoni personali ta' David Sanjek huma miġbura fl-Università ta' Salford. Dan jifforma riżors siewi għall-istudjużi attwali u futuri fl-oqsma tal-mużika popolari, film, letteratura u teatru.^[7]

L-IASPM-US torrfi l-Premju tal-Karta tal-Istudenti Gradwati d-David Sanjek Memorial Graduate Student Paper Prize^[8] għall-graduati tal-mużika u l-ispettakli fl-Istati Uniti.

David jibqa' ħaj minn ħutu Rick, intraprenditur tal-mużika bbażat f'Nashville ^[9][10] u Roger Sanjek, antropologu u Professur.^{[11] [12] [13][14][15]}

Pubblikazzjonijiet dwar il-mużika^[16]

Kotba

• Sanjek, R. u Sanjek, D. (1996) Pennies from Heaven: The American Popular Music Business in the Twentieth Century. New York: Da Capo Press.
• Sanjek, R. u Sanjek, D. (1991) The American Popular Music Business in the 20th Century. New York: Oxford University Press.

Kapitli

• Sanjek, D. with Halligan, B. (2013) You Can't Always Get What You Want: Riding on the Medicine Ball Caravan in The Music Documentary. London: Routledge.
• Sanjek, D. (2013) Zappa and the Freaks: Recording Wild Man Fisher in Paul Carr, ed., Frank Zappa and the And: Key Essays on the Contextualization of his Legacy. Aldershot: Ashgate.
• Sanjek, D. (2012) Groove Me: Listening to the Discs of Northern Soul in Transatlantic Routes of American Roots Music. Farnham: Ashgate.
• Sanjek, D. (2012) Putting It Together: The Institutionalization of the American Musical Theatre in Oxford Handbook of the American Musical Theatre. New York: Oxford University Press.
• Sanjek, D. (2012) Jimmy Bowen in Grove Dictionary of American Music. New York: Oxford University Press.... [and various other entries: Johnny Otis; the Orioles; Gene Vincent; Sister Rosetta Tharpe; Clyde McPhatter; Harold Melvin and the Blue Notes; Neville Brothers; Tracy Nelson; Doo Wop; Eddie Fisher; Ink Spots; Brenda Lee; Tony Brown; Allen Toussaint; Jim Denny; the Dells]
• Sanjek, D. (2011) African-American Music and the Recording Industry: An Introduction in Encyclopedia of African-American Music, Santa Barbara: Greenwood Press.
• Sanjek, D. (2011) African-American Music and the Recording Industry: 1919-1942 in: Encyclopedia of African-American Music,' Santa Barbara: Greenwood Press.
• Sanjek, D. (2011) African-American Music and the Recording Industry: 1942-68 in Encyclopedia of African-American Music. Santa Barbara: Greenwood Press.
• Sanjek, D. (2011) Jump Blues in Encyclopedia of African-American Music. Santa Barbara: Greenwood Press.
• Sanjek, D. (2011) What's Syd Got To Do With It?: King Records, Henry Glover and the Complex Achievement of Crossover in Hidden In The Mix: African American Country Music Traditions. Durham: Duke University Press.
• Sanjek, D. (2009) Bank Accounts and Black Narcissus: Jimmie Rodgers and the Professionalization of American Popular Music in Waiting For A Train: Jimmie Rodgers's America. Burlington, Mass.: Rounder Books, 65-81
• Sanjek, D. (2008) Shock Jocks: Making Mayhem Over the Radio in Battleground: The Media Volume 2 (O-Z). Upper Saddle River, New Jersey: Pearson/Prentice-Hall.
• Sanjek, D. (2005) I Give it a 94. It’s Got a Beat and You can Dance to It. Valuing Popular Music in Michael Berube, The Aesthetics of Cultural Studies: An Introduction. Oxford: Blackwell, p. 117-139.
• Sanjek, D. (2004) All the Memories Money Can Buy: Marketing Authenticity and Manufacturing Authorship in Eric Weisbard, ed., This is Pop, Harvard University Press, 155–172.
• Sanjek, D. (2004) In My Time of Dying: Johnny Cash, Johnny Paycheck, Gary Stewart and Cycles of Hipness Peper at American Studies Association Convention, November 13.
• Sanjek, D. (2002) Tell Me Something I Don’t Already Know in Norman Kelley, ed. Rhythm and Business: The Political Economy of Black Music. New York: Akashic Books.
• Sanjek, D. (1999) Institutions in T. Swiss and B. Horner, eds. Key Terms in Popular Music and Culture. Oxford: Blackwell, pp. 46–56
• Sanjek, D. (1998) Reeling in the Years: American Vernacular Music & Documentary Film, in Brophy, P. ed. Cinesonic: The World of Sound in Film. Sydney: AFTRS Publishing.
• Sanjek, D. (1998) Blue Moon of Kentucky Rising over the Mystery Train, in Cecilia Tichi, ed. Reading Country Music: Steel Guitars, Opra Stars and Honkytonk Bars. Duke University Press, p. 22-44
• Sanjek, D. (1998) Popular Music and the Synergy of Corporate Culture, in Thomas Swiss, J. Sloop and E. Herman, eds. Mapping the Beat: Popular Music and Contemporary Theory. Oxford: Blackwell,
• Sanjek, D. (1997) Can a Fujiama Mama be the Female Elvis? The Wild, Wild Women of Rockabilly in Whiteley, S. ed. Sexing the Groove. London: Routledge, pp. 137–167
• Sanjek, D. (1994) Don’t Have to DJ No More: Sampling and the Autonomous Creator in Martha Woodmansee and Peter Jansi, eds. The Construction of Authorship: Textual Appropriation in Law and Literature. Duke University Press.

Peer Reviewed Journals

• Sanjek, D. (2011) Hard of Hearing: Acoustic Legacies and Public Policies,' Popular Music & Society.
• Sanjek, D. (2011) What Hath Phast Phreddie Wrought?: Los Angeles, Punk Music and the Recovery of Race Journal of Post-Punk.
• Sanjek, D. (2006) Ridiculing the White Bread Original: The Politics of Parody and Preservation of Greatness in Luther Campbell AKA Luke Skywalker et al. vs. Acuff-Rose Music, Inc.,' Cultural Studies 20, 2-3, pp. 262–281
• Sanjek, D. (2006) Ridiculing the White Bread Original: The Politics of Parody and Preservation of Greatness in Luther Campbell, AKA Luke Skyywalker et al vs. Acuff-Rose Music, Inc. Cultural Studies 20, 2-3, pp. 262–281.
• Sanjek, D. (2006) ‘Navigating the Channel: Recent Scholarship on African-American Popular Music,’ Journal of Popular Music Studies 11, 1, 167-192
• Sanjek, D. (1997) One Size Does Not Fit All: The Precarious Position of the African-American Entrepreneur in Post WW2 American Popular Music American Music 15, 4, 535-562
• Sanjek, D. (1992) Pleasure and Principles: Issues of Authenticity in the Analysis of Rock’n’Roll Journal of Popular Music Studies.

Pubblikazzjonijiet dwar il-films^[16]

Peer Reviewed Journals

• Sanjek, D. (2012) Review of Funny Pictures: Animation and Comedy in Studio-Era Hollywood. Daniel Goldmark and Charlie Keil, eds. Quarterly Review of Film and Video
• Sanjek, D. (2005) Getting Something Out [on Claude Chabrol] Pop Matters
• Sanjek, D. (2005) Thrills [on Harold Lloyd] Pop Matters
• Sanjek, D. (2004) Monkey King [on Jerry Lewis] Pop Matters
• Sanjek, D. (2003) The Doll and The Whip: Pathos and Ballyhoo in William Castle´s Homicidal Quarterly Review of Film and Video 20, 4, pp. 247–264
• Sanjek, D. (2003) A Brief Reign of Terror [on Gordon Hessler] Pop Matters
• Sanjek, D. (2002) Cold, Cold Heart: Joseph Losey’s The Damned and the Compensations of Genre Senses of Cinema 21
• Sanjek, D. (2002) Fate Wears a Fedora (on Jean Pierre Melville) Pop Matters
• Sanjek, D. (2002) Smile When You Say That: James Coburn (1908-2002) Pop Matters
• Sanjek, D. (2002) A Cynic’s Demise: Billy Wilder (1906-2002) Pop Matters
• Sanjek, D. (2001) Dario Argento's Blood on the Walls Bad Subjects Archived June 24, 2012, at the Wayback Machine
• Sanjek, D. (2001) Big Boss Man: Samuel J. Arkoff (1917-2001) Pop Matters
• Sanjek, D. (1996) Dr Hobbes Parasites: Victims, Victimization and Gender In David Cronenberg’s Shivers Cinema Journal 36, 1, 55-74.
• Sanjek, D. (1994) Torment Street Between Malicious and Crude: Sophisticated Primitivism in the Films of Samuel Fuller, Literature Film Quarterly 22, 3, pp. 187–194.
• Sanjek, D. (1994) Twilight of the Monsters: The English Horror Film 1968-1975 in Wheeler Winston Dixon, ed. Re-Viewing British Cinema 1900-1992. Albany: University of New York Press, p. 195-209.
• Sanjek, D. (1994) Foreign Detection: The West German Krimi and the Italian Giallo, Spectator 14, 2, 82-95
• Sanjek, D. (1990) ‘Fans’ Notes: The Horror Film Magazine Literature / Film Quarterly 18, 3, p. 150-160

Referenzi

1. McKeegan, Alison (October 23, 2010). "Sounds like a dream job for the professor of pop". Manchester Evening News. Arkivjat minn l-oriġinal fl-June 17, 2011. Miġbur 23 May 2012.
2. "In memory of Professor David Sanjek". December 2011. Miġbur 22 May 2012.
3. Horowitz, Is. "American Popular Music and Its Business, Review". Billboard Magazine. Miġbur 31 May 2012.
4. Preston, Frances W. "American Popular Music and Its Business (Review)". Miġbur 23 May 2012.
5. : 703–706. |title= nieqes jew vojt (għajnuna)
6. Wexler, Jerry. "American Popular Music and Its Business". Miġbur 26 May 2012.
7. Hall, Martin. "David Sanjek Archive". Miġbur 23 May 2012.
8. Farrugia, Rebekkah. "David Sanjek Memorial Graduate Student Paper Prize". IASPM-US. Arkivjat minn l-oriġinal fl-November 16, 2012. Miġbur 23 May 2012.
9. "Rick Schulman Finney Passes Away At Nashville Home". Miġbur 31 May 2012.
10. "Songwriters in the Round". Miġbur 31 May 2012.
11. Teltsch, Kathleen (July 10, 1988). "In Queens, a Preview of Future Cities". The New York Times. Miġbur 31 May 2012.
12. Sanjek, Roger (1994). Race. Barnes & Noble. ISBN 9780813521091. Miġbur 30 May 2012.
13. Sanjek, Roger. "Gray Panthers". Miġbur 30 May 2012.
14. "The Future of Us All: Race and Neighborhood Politics in New York City". Barnes & Noble. Miġbur 31 May 2012.
15. "Fieldnotes: The Makings of Anthropology". Barnes&Noble. Miġbur 31 May 2012.
16. ^ Duffett, Mark (February 24, 2012). "David Sanjek: A Bibliography". Miġbur 23 May 2012.