Jerome og Schwartz innlemmet kinesiske musikalske former i vestlig musikk til melodien.[1] Sangen har blitt innspilt av tallrike artister, innbefattet Al Jolson[2] samt Chris Connor,[3] og blir betraktet som en jazz standard.[4]
^Moon, Yellowface, s. 100: «Often, these composers chose to use parallel fourths, fifth, octaves, and minor thirds, which had been mentioned in European and American discussions of Chinese music. The most famous example was William Jerome and Jean Schwartz's "Chinatown, My Chinatown" (1910) ...»
Crawford, Richard; Magee, Jeffery (1992): Jazz Standards on Record, 1900-1942: A Core Repertory. Chicago: Center for Black Music Research Columbia College
Jerome, William; Schwartz, Jean (1910): "Chinatown, My Chinatown" (noter). New York: Jerome H Remick & Co.
Moon, Krystyn R (2005): Yellowface: Creating The Chinese In American Popular Music And Performance, 1850s-1920s, New Brunswick, NJ: Rutgers University Press