Tarixiy fantastika uchun 2010-yilda Walter Scott mukofotiga asos solingan Britaniya adabiy mukofotidir[1]. Qiymati 25 ming funt sterling boʻlib, Buyuk Britaniyadagi eng yirik adabiy mukofotlardan biri hisoblangan[2]. Mukofot ajdodlari shotlandiyalik boʻlgan yozuvchi ser Walter Scott bilan chambarchas bogʻliq boʻlib, 1814-yilda „Waverley“ romani bilan tarixiy fantastika asoschisi hisoblangan Duke va Duchess of Buccleuch tomonidan yaratilgan[3].
Kerakli kitoblar oʻtgan yili Buyuk Britaniya, Irlandiyada yoki Millatlar hamdoʻstligida birinchi marta nashr etilgan boʻlishi kerak[4]. Mukofot maqsadiga koʻra, tarixiy fantastika asosiy voqealar 60 yildan koʻproq vaqt oldin sodir boʻlgan, yaʼni muallifning har qanday yetuk shaxsiy tajribasidan tashqarida sodir boʻlgan deb taʼriflangan[5]. Gʻolib ham iyun oyida Melrosedagi "Borders Book Festival" da eʼlon qilinadi[1].
Yil | Muallif | Nomi | Davri | Natija | Manbalar |
---|---|---|---|---|---|
2010 | Hilary Mantel | Wolf Hall | Thomas Cromwell (1490s–1532) | Gʻolib | [6][7][8] |
Adam Thorpe | Hodd | Robin Hood (early medieval) | Qisqa roʻyxat | [9][10] | |
Robert Harris | Lustrum | Cicero (106–43 BC) | |||
Sarah Dunant | Sacred Hearts | 16th-century Italian convent | |||
Iain Pears | Stone's Fall | Early 20th-century mystery/thriller | |||
Simon Mawer | The Glass Room | 1930s Czech | |||
Adam Foulds | The Quickening Maze | John Clare and Alfred Tennyson (early 19th century) | |||
2011 | Andrea Levy | The Long Song | 1820s Jamaica | Gʻolib | [11][12] |
Tom McCarthy | C | Turn of the 20th-century Europe | Qisqa roʻyxat | [7] | |
Joseph O'Connor | Ghost Light | 20th-century England and Ireland | |||
C. J. Sansom | Heartstone | England during the summer of 1545 | |||
David Mitchell | The Thousand Autumns of Jacob de Zoet | late 18th-century Shogun Japan | |||
Andrew Williams | To Kill A Tsar | St. Petersburg around the turn of the 20th century | |||
2012 | Sebastian Barry | On Canaan's Side | 20th-century Ireland and Chicago | Gʻolib | [13][14] |
Esi Edugyan | Half-Blood Blues | World War II-era Europe | Qisqa roʻyxat | [12][15] | |
Andrew Miller | Pure | Paris in 1786 | |||
Barry Unsworth | The Quality of Mercy | London of 1767 and a Durham coastal mining village | |||
Patrick deWitt | The Sisters Brothers | Oregon and California in 1851 | |||
Alan Hollinghurst | The Stranger's Child | World War I-era Europe | |||
2013 | Tan Twan Eng | The Garden of Evening Mists | 1940s and '50s Malaya | Gʻolib | [16][17] |
Hilary Mantel | Bring Up the Bodies | Thomas Cromwell (1532–1536) | Qisqa roʻyxat | [18] | |
Rose Tremain | Merivel: A Man of His Time | 1680s England | |||
Thomas Keneally | The Daughters of Mars | WWI | |||
Anthony Quinn | The Streets | 1880s London | |||
Pat Barker | Toby's Room | WWI | |||
2014 | Robert Harris | An Officer and a Spy | Dreyfus Affair, which took place in France in the late 1890s | Gʻolib | [19][20] |
Andrew Greig | Fair Helen | 1590s in the Borderland of Scotland and England | Qisqa roʻyxat | [21][22] | |
Jim Crace | Harvest | remote English village following the Enclosure Act in the 18th century | |||
Kate Atkinson | Life After Life | during the 20th century | |||
Eleanor Catton | The Luminaries | New Zealand gold rush of the 19th century | |||
Ann Weisgarber | The Promise | 1900 Galveston hurricane | |||
2015 | John Spurling | The Ten Thousand Things | China in the 14th century | Gʻolib | [23][24] |
Kamila Shamsie | A God in Every Stone | India during WWI | Qisqa roʻyxat | [25][26] | |
Damon Galgut | Arctic Summer | India in the early 20th century | |||
Adam Foulds | In the Wolf’s Mouth | Italy in World War II | |||
Helen Dunmore | The Lie | England during WWI | |||
Martin Amis | The Zone of Interest | Europe during World War II | |||
Hermione Eyre | Viper Wine | England in the 17th century | |||
2016 | Simon Mawer | Tightrope | France WWII | Gʻolib | [27][28] |
Patrick Gale | A Place Called Winter | early 20th century Saskatchewan | Qisqa roʻyxat | [29][30] | |
Allan Massie | End Games in Bordeaux | France WWII | |||
Gavin McCrea | Mrs Engels | 19th century England | |||
Lucy Treloar | Salt Creek | mid-19th century Australia | |||
William Boyd | Sweet Caress | 20th century global | |||
2017 | Sebastian Barry | Days Without End | US Civil War | Gʻolib | [31][32] |
Jo Baker | A Country Road, A Tree | WWII France | Qisqa roʻyxat | [33][34] | |
Francis Spufford | Golden Hill | 18th century New York | |||
Graham Swift | Mothering Sunday | 1924 | |||
Hannah Kent | The Good People | 19th century Ireland | |||
Rose Tremain | The Gustav Sonata | Switzerland during WWII | |||
Charlotte Hobson | The Vanishing Futurist | Russia early Soviet era | |||
2018 | Ben Myers | The Gallows Pole | Yorkshire 18th century | Gʻolib | [35][36] |
Paul Lynch | Grace | 19th century Ireland | Qisqa roʻyxat | [37][38] | |
Jennifer Egan | Manhattan Beach | WWII New York | |||
Rachel Malik | Miss Boston and Miss Hargreaves | WWII | |||
Jane Harris | Sugar Money | 18th century Martinique and Grenada | |||
Patrick McGrath | The Wardrobe Mistress | 1940s London | |||
2019 | Robin Robertson | The Long Take | American, post WWII | Gʻolib | [39] |
Peter Carey | A Long Way From Home | 1950s Australia | Qisqa roʻyxat | [40][41] | |
Cressida Connolly | After The Party | 1938 England | |||
Andrew Miller | Now We Shall Be Entirely Free | 1809 Spain | |||
Samantha Harvey | The Western Wind | 1491 | |||
Michael Ondaatje | Warlight | 1945 London | |||
2020 | Christine Dwyer Hickey | The Narrow Land | 1950s, Cape Cod | Gʻolib | [42][43][44] |
Marguerite Poland | A Sin Of Omission | late 19th century, South Africa and England | Qisqa roʻyxat | [45][46] | |
Joseph O'Connor | Shadowplay | 1878, London | |||
Isabella Hammad | The Parisian | pre-WWI, Europe, Palestine | |||
Tim Pears | The Redeemed | WWI, West Country, England | |||
James Meek | To Calais, In Ordinary Time | 14th century, England | |||
2021 | Hilary Mantel | The Mirror and the Light | Thomas Cromwell (1536–1540) | Gʻolib | [47][48] |
Kate Grenville | A Room Made of Leaves | early colonial period, Australia | Qisqa roʻyxat | [49][50] | |
Maggie O'Farrell | Hamnet | late 16th century, Stratford-upon-Avon | |||
Pip Williams | The Dictionary of Lost Words | 1880s–1920s, Oxford | |||
Steven Conte | The Tolstoy Estate | 1812 and 1941, Russia | |||
2022 | James Robertson | News of the Dead | Gʻolib | [51] | |
Andrew Greig | Rose Nicholson | Qisqa roʻyxat | [52] | ||
Amanda Smyth | Fortune | ||||
Colm Tóibín | The Magician | ||||
2023 | Lucy Caldwell | These Days | During the Belfast Blitz, Ireland, 1940s | Gʻolib | [53][54] |
Adrian Duncan | The Geometer Lobochevsky | Rural Ireland, 1800s | Qisqa roʻyxat | [55] | |
Robert Harris | Act of Oblivion | 17th century, England | |||
Elizabeth Lowry | The Chosen | Thomas Hardy, England, 1800s | |||
Fiona McFarlane | The Sun Walks Down | South Australia, 1800s | |||
Simon Mawer | Ancestry | Crimea and England, 1850s | |||
Devika Ponnambalam | I am not your Eve | Paul Gauguin, Tahiti, 1800s |