^Slinn, Judy; Carter, Sebastian; Southall, Richard. History of the Monotype Corporation. : 202–3 etc.
^Wallis, Lawrence. Frank Hinman Pierpont (1860-1937): An Unsung Pioneer of Mechanical Typesetting. Bulletin of the Printing Historical Society: 8–14.
^Mosley, James. Review: A Tally of Types. Journal of the Printing Historical Society. 2001,. 3, new series: 63–67. That it was Pierpont himself who was central to this drive for quality is made abundantly clear by the abrupt changes that are seen after his retirement in 1937. All the types produced during the brief period before the Second World War, although they naturally have many fine features, are more or less flawed.
^Mosley, James. Reviving the Classics: Matthew Carter and the Interpretation of Historical Models. Mosley, James; Re, Margaret; Drucker, Johanna; Carter, Matthew (编). Typographically Speaking: The Art of Matthew Carter. Princeton Architectural Press. 2003: 31–34 [2021-02-14]. ISBN 9781568984278. (原始内容存档于2020-11-05).
^Dreyfus, John. Into Print: Selected writings on printing history, typography and book production 1st hardcover. Boston: David R. Godine. 1995: 116–7. ISBN 9781567920451.
^Friedl, Frederich, Nicholas Ott and Bernard Stein. Typography: An Encyclopedic Survey of Type Design and Techniques Through History. Black Dog & Leventhal: 1998. ISBN1-57912-023-7..
^Dreyfus, John. The Evolution of Times New Roman. The Penrose Annual. 1973, 66: 165–174. [In developing Times New Roman, Stanley] Morison was fortunate in being able to produce a new type for the newspaper at great speed and with a high degree of technical excellance...an exceptionally able team had been built up by Frank Hinman Pierpont, an American martinet of wide experience.