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Vertical support
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Vertical support is a category of structural systems or elements in architecture and architectural engineering designed to facilitate the vertical dimensions of space and mass,[1] for example, columns.[2] Along with horizontal spanning systems (like beams[3]), vertical supports form the core of a building's structure, housing human activities and enabling the creation of habitable environments.[1]
Function
[edit]The primary function of a vertical support is to act as part of a structural system (a "stable assembly" that sustains architectural forms).[2] As a fundamental component of a structural system, it is responsible for supporting and transmitting applied loads (such as gravity, wind, and earthquake forces) safely to the ground without exceeding the allowable stresses in the members.[2]
In the context of architectural design, vertical supports function similarly to a skeletal system in a body; they give shape and form to the building while providing support for other building systems and organs.[4]
Human scale
[edit]Vertical supports are instrumental in establishing the scale of a building's interior. Of the three dimensions of a room, height has a greater impact on perceived scale than width or length; a ceiling height that feels comfortable in a smaller room may feel oppressive in a large assembly space.[5] As the unsupported height of columns and bearing walls increases, they must become thicker to maintain stability,[5] which additionally influences the visual scale of the space.
Structural behavior
[edit]Vertical supports must collect gravity loads from the horizontal spanning systems (trusses, beams, and slabs) and redirect them downward.[6]
Load distribution
[edit]The load imposed on a specific vertical support is determined by its tributary area, which corresponds to the span of the floor or roof structure it carries.[6] In a regular structural grid:
- Interior columns: carry the gravity loads for one full bay (extending halfway to the nearest column in all directions).[6]
- Perimeter columns: carry approximately one-half the load of an interior column.[6]
- Corner columns: carry approximately a quarter of the load of an interior column.[6]
Skipping a column in the grid transfers its load to adjacent supports.[6] In multistory buildings, the gravity loads add up as they are transmitted downward through successive floors to the foundation.[7]
Development and types
[edit]The form and material of vertical supports have evolved significantly throughout history, transitioning from massive elements to lighter skeletal frames.[8]
Stone and masonry
[edit]Early vertical supports were characterized by high mass:
- Pillars and columns: Neolithic structures, such as those in Banpo, China (c. 5000 BC), utilized thick pillars to support roofs.[2] The Egyptians mastered trabeated (post-and-lintel) stone construction, exemplified by the Hypostyle Hall at Karnak (1500 BC).[9] Ancient Greeks perfected the system, with the Parthenon (447 BC) representing the pinnacle of the Doric order in column design.[10]
- Bearing walls: Until the late-18th century, stone and masonry bearing wall systems came to dominate the vertical support designs.[11] These systems simultaneously provided support and enclosure, with formal modifications limited to molding or carving the material mass.[11]
Concrete and masonry walls rely on their bulk for load-carrying capability and can withstand high compression forces, but require reinforcement to resist the tensile stresses.[12]
Timber, iron, and steel
[edit]The Industrial Revolution introduced high-strength materials that allowed vertical supports to become slender skeletal elements rather than massive walls:[13] Unlike timber frames, the rigid steel and reinforced concrete designs might get away with no diagonal bracing or shear planes to ensure lateral stability.[12]
- Cast iron frame: By 1797, Ditherington Flax Mill utilized a structural frame of cast iron columns and beams, becoming the world's first iron-framed building.[14]
- Steel frames: The Home Insurance Building (1884) utilized a 10-story frame of steel and cast iron to carry the majority of the weight of floors and walls, reducing the reliance on masonry for support.[15] Steel frames may utilize moment connections for rigidity but require fireproofing to qualify as fire-resistive construction.[12]
Concrete
[edit]Vertical supports in reinforced concrete have allowed for diverse structural expressions. Concrete frames are typically rigid and qualify as noncombustible construction.[12]
- Pillars: Modern suspension structures, such as the Olympic Arena in Tokyo (1961), utilize reinforced concrete pillars to anchor steel cables.[16]
- Ribs: The Sydney Opera House (1973) utilizes precast concrete ribs to form its iconic shell structure.[17]
Geometric and advanced support structures
[edit]In the field of architectural geometry, complex freeform designs require support structures that address the geometric complexity of nodes where multiple beams intersect.[18]
Torsion-free supports
[edit]In large-scale steel gridshells, the connection of beams at a vertex can introduce significant torsion if not geometrically optimized.[18] A torsion-free support structure is defined geometrically as an arrangement of planar quadrilaterals along the edges of a mesh such that all quadrilaterals meeting at a vertex intersect in a single common line, known as the node axis.[18] When structural beams are aligned with these quadrilaterals, their symmetry planes pass through the node axis, creating a torsion-free node that is significantly easier to manufacture than a general node.[18] This principle was utilized for the support structure of the Yas Hotel Abu Dhabi.[18]
Parallel meshes and offsets
[edit]Torsion-free support structures can be derived from parallel meshes (also known as offset meshes).[18] Two meshes are considered parallel if they share the same combinatorics and their corresponding edges are parallel; the beam structure effectively connects these two layers.[18] A special case is the conical mesh, where the parallel meshes are at a constant face-to-face distance, allowing for the use of node axes that coincide with the axes of the cones associated with the mesh vertices.[18]
Semidiscrete supports
[edit]For structures requiring curved members, the concept of a support structure can be refined through a limit process into a semidiscrete support structure.[18] This results in support members that form developable strips, which allows for the fabrication of curved beams with rectangular cross-sections by bending flat material rather than complex molding or machining.[18] This technique was applied to the pavilions at the Eiffel Tower, where the beams follow the principal curvature lines of the reference surface.[18]
Tensegrity
[edit]Tensegrity, a term coined by Buckminster Fuller in 1960, refers to structural systems composed of isolated components under compression (struts) inside a continuous net of tension (cables).[18] This separation allows for lightweight support structures where distinct elements handle specific forces—cables allowing only tension and struts allowing only compression.[18] The Kurilpa Bridge (2009) is cited as a notable example, being the largest tensegrity bridge in the world.[18]
Spatial relationship
[edit]The pattern of vertical supports is intrinsically linked to the spatial composition of a design.[19] Because columns and walls have a greater presence in the visual field than horizontal planes, they are instrumental in defining volumes of space.[20]
- Columns: A structural frame of columns and beams allows for relationships to be established with adjacent spaces on all four sides of the defined volume.[20]
- Bearing walls: Using parallel bearing walls creates a directional quality, orienting the space toward open ends. If a space is enclosed on all four sides by bearing walls, it becomes introverted and must rely on openings for connection to adjacent spaces.[20]
The structural/spatial relationship can be approached in two different ways:
- Correspondence between structural and spatial arrangements: The pattern of supports prescribes the disposition of spaces, or conversely, the spatial requirements dictate the structural rhythm.[19]
- Flexibility: The structural form is designed as a "looser fit," allowing freedom in the interior spatial layout independent of the vertical supports.[19]
References
[edit]- ^ a b Ching, Onouye & Zuberbuhler 2014, p. vii.
- ^ a b c d Ching, Onouye & Zuberbuhler 2014, p. 2.
- ^ Ching, Onouye & Zuberbuhler 2014, p. 43.
- ^ Ching, Onouye & Zuberbuhler 2014, p. 14.
- ^ a b Ching, Onouye & Zuberbuhler 2009, p. 138.
- ^ a b c d e f Ching, Onouye & Zuberbuhler 2009, p. 142.
- ^ Ching, Onouye & Zuberbuhler 2009, p. 143.
- ^ Ching, Onouye & Zuberbuhler 2014, pp. 6–7.
- ^ Ching, Onouye & Zuberbuhler 2014, p. 3.
- ^ Ching, Onouye & Zuberbuhler 2014, p. 4.
- ^ a b Ching, Onouye & Zuberbuhler 2014, p. 16.
- ^ a b c d Ching, Onouye & Zuberbuhler 2009, p. 141.
- ^ Ching, Onouye & Zuberbuhler 2014, p. 7.
- ^ Ching, Onouye & Zuberbuhler 2014, p. 8.
- ^ Ching, Onouye & Zuberbuhler 2014, p. 10.
- ^ Ching, Onouye & Zuberbuhler 2014, p. 12.
- ^ Ching, Onouye & Zuberbuhler 2014, p. 13.
- ^ a b c d e f g h i j k l m n Pottmann et al. 2015.
- ^ a b c Ching, Onouye & Zuberbuhler 2014, p. 20.
- ^ a b c Ching, Onouye & Zuberbuhler 2009, p. 140.
Sources
[edit]- Ching, Francis D.K.; Onouye, Barry; Zuberbuhler, Douglas (2009). Building Structures Illustrated: Patterns, Systems, and Design (1st ed.). John Wiley & Sons. ISBN 978-0470187852.
- Ching, Francis D.K.; Onouye, Barry; Zuberbuhler, Douglas (2014). Building Structures Illustrated: Patterns, Systems, and Design (2nd ed.). John Wiley & Sons. ISBN 978-1-118-45835-8.
- Pottmann, Helmut; Eigensatz, Michael; Vaxman, Amir; Wallner, Johannes (2015). "Architectural geometry" (PDF). Computers & Graphics. 47: 145–164. doi:10.1016/j.cag.2014.11.002.