Docufictio

Docufictio (cum docudramate non confundenda) est cinematographica pelliculae documentariae et fictionis coniunctio,^[1] genus pellicularum^[2] quod realitatem ut vere est (cinema directum vel cinéma vérité) capere conatur et simul elementa irrealia vel condiciones fictionales in narrationem introducit ut repraesentatione realitatis per certam expressionem artificiosam confirmet. Docufictio disertius est documentarium elementis fictis contaminatum,^[3] per tempus reale captum,^[4] cum eventus fiant, et in quo aliquis—persona argumenti pelliculae—personam suam in vita reali agit.

Neologismus docufictio,^[5] qui saeculo vicensimo uno ineunte apparuit, nunc in nonnullis linguis adhibetur et late pro classificatione ab internationalibus feriis pellicularibus accipitur.^{[6][7][8][9][10][11][12][13]} Docufictio, vel in cinemateo vel televisione visa, est genus pellicularum primo decennio saeculi vicensimi primi plene evolutum. Verbum docufictio aliquando ad litterarias diurnariorum artes spectare (nonfictio creativa) usurpatur.^[14]

Origines

Vocabulum modus pellicularum ab auctoribus Roberto J. Flaherty, uno ex patribus documentariorum,^[15][16] et Ioanne Rouch saeculo vicensimo recentiore factarum. In anthropologia oculorum, innovans Ioannis Rouch persona^[17] sinit ut is pater subgeneris ethnofictionis appelletur.^[18][19] Hoc vocabulum significat 'pellicula documentaria ethnographica indigenarum qui partes fictionales agunt'. Facere ut ei partes de se ipsis agant realitatem depingere adiuvabit,^[20] quod per imagines ante oculos propositas confirmabitur. Documentarium non ethnographicum elementa ficta habens eadem ratione utitur, et ob easdem causas docufictio appellari potest.

Primae docufictiones per civitatem digestae

• 1926: Moana, Robertus J. Flaherty, Civitates Foederatae
• 1930: Maria do Mar,^[21] Leitão de Barros, Portugallia
• 1932: L'or des mers,^[22] Ioannes Epstein, Francia
• 1948: La Terra Trema, Luchinus Visconti, Italia
• 1963: Pour la suite du monde vel Anglice Of Whales, the Moon and Men ('De cetis, luna, et hominibus'), Petrus Perrault et Michael Brault, Canada
• 1981: Transes, Ahmed El Maânouni, Marocum
• 1988: Mortu Nega ('Mors negata'), Flora Gomes, Guinea Bissaviensis
• 1990: Close-up (pellicula), Abbas Kiarostami, Irania
• 1991: Zombie and the Ghost Train, Michael Kaurismäki, Finnia^[23]
• 2002: City of God ('Civitas dei'), Ferdinandus Meirelles et Kátia Lund, Brasilia
• 2005: Underexposure, Oday Rasheed, Iraquia

Nexus interni

• Docudrama
• Ethnofictio
• Pseudodocumentarium

Notae

1. Realitas et documentarium, in Girish Shambu, "Six Types Of Documentary," (blog).
2. Daniel Chandler, "An Introduction to Genre Theory," Aberystwyth University.
3. Laura Marchesi, Il difficile rapporto tra fiction e non fiction che si concretizza nella docu-fiction, thesis, Facultas Scientiarum Communicationis (Università degli Studi di Pavia), apud Tesionline, 2005/06.
4. Tay Huizhen Docufiction in the Digital Age, thesis, [1], National University of Singapore.
5. Theo Mäusli, Pars II, pp 37–75 (capitula quattuor).
6. Indie Matra Bhumi, The Motherland, Cannes Film Festival.
7. Docufictio Ablel Ferrara, Venice Film Festival.
8. The Savage Eye: White Docu-Fiction & Black Reality, in Tribeca Film Festival.
9. Brian De Palma's On His Iraq Docu-Fiction Comeback, in The Huffington Post, in Toronto Film Festival et Venice Film Festival.
10. Diamond 33, pellicula Darii Mehrjui, in Venice Film Festival.
11. New Film Events, in London Short Film Festival.
12. Oscilloscope 'Howl' for Off Beat Docu-Fiction Sundance Selection, in Ion Cinema.
13. Docufiction, www.vivacinema.it.
14. Tate Triennial 2009: Altermodern - 'Docufiction'.
15. Definition of documentary – New Frontiers in American documentary, American Studies at The University of Virginia.
16. The Impulse of Documentary-Fiction, Transart Institute.
17. Jean Rouch 1917-2004, A Valediction, commentarius Michaelis Eaton in Rouge.
18. Glossary at maitres_fous.netT.
19. Brian Quist, Jean Rouch and the Genesis of Ethnofiction, thesis, Long Island University.
20. Johannes Sjöberg, "Ethnofiction: drama as a creative research practice in ethnographic film," Journal of Media Practice 9(3), eScholarID:1b5648.
21. Vide Maria do Mar in IMdb.
22. Vide L'Or des mers in IMdb.
23. Vide recognitionem in New York Times (1991): "Zombie and the Ghost Train: Review/Film Festival; How a Zombie Became One With Alcohol and Self-Pity."

Bibliographia

• Coşkun, Çiçek. Docudrama: the real (his)tory, thesis, New York University School of Education.
• Derrick, Clifford. The Zulu Mask: The Role of Creative Imagination in Documentary Film, wiredspace.wits.ac.za.
• Docufictions: Essays on the Intersection of Documentary and Fictional Filmmaking. Tabula cuius in libro continetur.
• Garçon, François. Le documentaire historique au péril du « docufiction, thesis
• Lipkin, Steven N., ed. 2002. Real Emotional Logic: Film and Television Docudrama as Persuasive Practice. Carbondale: Southern Illinois Press. ISBN 9780809324095.
• Marchesi, Laura. Un genere cinematografico: la docu-fiction. Il caso di 150 ore a Pavia, thesis.
• Mäusli, Theo. 1999-2000. Docu-fiction - Convergence and Contamination between Documentary Representation and Fictional Simulation. Thesis, Science of Communication Faculty, University of Lugano.
• Paget, Derek. 1998. No Other Way to Tell It: Dramadoc/Docudrama on Television. Manchester University Press. ISBN 9780719045332.
• Rosenthal, Alan. 1999. Why Docudrama? Fact-Fiction on Film and TV. Carbondale & Edwardsville" Southern Illinois Press. ISBN 9780809321865.

Nexus externi

• 3 questions à…Isabelle Veyrat-Masson, conloquium (Le Journal du CNRS)
• "Peter Watkins, un cinéaste maudit," commentarius (Critikat)
• Chapman, Jane, "Issues in Contemporary Documentary," books.google.com (pp. 1 ad 34)
• Drizin, Julie. "Docufiction: Where Art and Life Merge and Diverge," airmediaworks.org
• Hartwig, Gunthar, "New Media Documentary, www.gunthar.com
• Merewether, Janet, "Shaping the Real: Directorial Imagination and the Visualisation of Rvidence in the Hybrid Documentary," scan.net.au/scan/journal (Scan, periodicum)
• Conloquium: "At The Edge of Truth: Hybrid Documentaries," www.voxmagazine.com (Vox Talk, periodicum)
• "Hybrid Documentary – A Potential Upcoming AV Genre," commentarius, cinepsychos.com, 30 Martii 2013

cine-stipula

Haec stipula ad cinematographiam vel ad televisionem spectat. Amplifica, si potes!