14 de Oscar-toekenningsaand
Datum
26 Februarie 1942
Plek
Biltmore Hotel, Los Angeles
Aanbieder
Bob Hope
Pryse & benoemings
Beste rolprent
How Green Was My Valley
Meeste pryse
How Green Was My Valley (5)
Meeste benoemings
Sergeant York (11)
Gary Cooper en Joan Fontaine met hul Oscars op ’n partytjie ná die seremonie.
Die 14de Oscar-toekenningsaand is op 26 Februarie 1942 deur die Academy of Motion Picture Arts and Sciences gehou om erkenning te gee aan rolprente van 1941 . Agterna beskou was die seremonie bekend daarvoor dat Citizen Kane nie die Oscar as beste prent gewen het nie.[ 1] Die wenner was How Green Was My Valley . John Ford het sy derde Oscar gewen vir beste regisseur, ook vir How Green Was My Valley .
Die aandag was gevestig op die wedywering om die prys vir beste aktrise tussen twee susters, Joan Fontaine in Alfred Hitchcock se Suspicion en Olivia de Havilland vir Hold Back the Dawn . Fontaine het die Oscar gekry – sy was die enigste akteur in ’n Alfred Hitchcock-prent wat ooit vir toneelspel gewen het.
Dit was die eerste jaar waarin dokumentêre prente ingesluit is. Die eerste Oscar vir ’n dokumentêr was vir Churchill's Island .
The Little Foxes het ’n nuwe rekord opgestel met nege benoemings sonder om ’n enkele Oscar te wen. Dit is geëwenaar in 1957 met Peyton Place en oortref in 1977 met The Turning Point en The Color Purple , albei met 11 benoemings.
Hier volg ’n lys van die belangrikste wenners en benoemdes (die wenners word eerste genoem en is in vet druk):[ 2]
Beste prent
Beste regisseur
How Green Was My Valley
Blossoms in the Dust
Citizen Kane
Here Comes Mr. Jordan
Hold Back the Dawn
The Little Foxes
The Maltese Falcon
One Foot in Heaven
Sergeant York
Suspicion
John Ford – How Green Was My Valley
William Wyler – The Little Foxes
Alexander Hall – Here Comes Mr. Jordan
Howard Hawks – Sergeant York
Orson Welles – Citizen Kane
Beste akteur
Beste aktrise
Beste manlike byspeler
Beste vroulike byspeler
Beste oorspronklike draaiboek
Beste draaiboekverwerking
Citizen Kane – Herman J. Mankiewicz en Orson Welles
Sergeant York – John Huston, Howard Koch, Abem Finkel, Harry Chandlee
Tall, Dark and Handsome – Karl Tunberg, Darrell Ware
The Devil and Miss Jones – Norman Krasna
Tom, Dick and Harry – Paul Jarrico
Here Comes Mr. Jordan – Sidney Buchman, Seton I. Miller
Hold Back the Dawn – Charles Brackett, Billy Wilder
How Green Was My Valley – Philip Dunne
The Little Foxes – Lillian Hellman
The Maltese Falcon – John Huston
Beste klankbaan, drama
Beste klankbaan, musiekprent
All That Money Can Buy – Bernard Herrmann
Back Street – Frank Skinner
Ball of Fire – Alfred Newman
Citizen Kane – Bernard Herrmann
Cheers for Miss Bishop – Edward Ward
How Green Was My Valley – Alfred Newman
Hold Back the Dawn – Victor Young
Ladies in Retirement – Morris Stoloff, Ernst Toch
King of the Zombies – Edward Kay
Dr. Jekyll and Mr. Hyde – Franz Waxman
Lydia – Miklós Rózsa
Mercy Island – Cy Feuer en Walter Scharf
Dumbo – Frank Churchill, Oliver Wallace
All-American Co-Ed – Edward Ward
Birth of the Blues – Robert Emmett Dolan
Buck Privates – Charles Previn
Ice-Capades – Cy Feuer
Sun Valley Serenade – Emil Newman
Sunny – Anthony Collins
The Chocolate Soldier – Herbert Stothart, Bronislau Kaper
The Strawberry Blonde – Heinz Roemheld
You'll Never Get Rich – Morris Stoloff
Beste kunsredigering, swart-wit
Beste kunsredigering, kleur
How Green Was My Valley – Richard Day, Nathan Juran, Thomas Little
Hold Back the Dawn – Hans Dreier, Robert Usher en Sam Comer
Sundown – Alexander Golitzen en Richard Irvine
Citizen Kane – Perry Ferguson, Van Nest Polglase, Al Fields en Darrell Silvera
Ladies in Retirement – Lionel Banks en George Montgomery
Sergeant York – John Hughes, Fred M. MacLean
The Little Foxes – Stephen Goosson en Howard Bristol
That Hamilton Woman – Vincent Korda en Julia Heron
The Son of Monte Cristo – John DuCasse Schulze en Edward G. Boyle
When Ladies Meet – Cedric Gibbons, Randall Duell en Edwin B. Willis
The Flame of New Orleans – Martin Obzina, Jack Otterson en Russell A. Gausman
Blossoms in the Dust – Cedric Gibbons, Urie McCleary, Edwin B. Willis
Blood and Sand – Richard Day, Joseph C. Wright, Thomas Little
Louisiana Purchase – Raoul Pene du Bois, Stephen A. Seymour
Beste redigering
Beste visuele effekte
Sergeant York – William Holmes
Citizen Kane – Robert Wise
How Green Was My Valley – James B. Clark
Dr. Jekyll and Mr. Hyde – Harold F. Kress
The Little Foxes – Daniel Mandell
I Wanted Wings – Fotografie: Farciot Edouart en Gordon Jennings; klank: Louis Mesenkop
A Yank in the R.A.F. – Fotografie: Fred Sersen; klank: Edmund H. Hansen
Aloma of the South Seas – Fotografie: Farciot Edouart en Gordon Jennings; klank: Louis Mesenkop
Flight Command – Fotografie: A. Arnold Gillespie; klank: Douglas Shearer
The Invisible Woman – Fotografie: John P. Fulton; klank: John D. Hall
That Hamilton Woman – Fotografie: Lawrence W. Butler; klank: William A. Wilmarth
The Sea Wolf – Fotografie: Byron Haskin; klank: Nathan Levinson
Topper Returns – Fotografie: Roy Seawright; klank: Elmer Raguse
Rey Scott
Die Britse depratement van inligting
Leopold Stokowski
Walt Disney , William Garity, John N. A. Hawkins en die RCA-vervaardigingsmaatskappy